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This is a list of file formats used by computers, organized by type. Filename extension it is usually noted in parentheses if they differ from the file format name or abbreviation. Many operating systems do not limit filenames to one extension shorter than 4 characters, as was common with some operating systems that supported the File Allocation Table (FAT) file system. Jun 13, · Discover ridiculously cool toys for boys in Find the PERFECT birthday gift or Christmas gift for any age with our ultimate list. The PlayStation Portable (PSP) is a handheld game console developed and marketed by Sony Computer replace.me was first released in Japan on December 12, , in North America on March 24, , and in PAL regions on September 1, , and is the first handheld installment in the PlayStation line of consoles. As a seventh generation console, the PSP . For any academic help you need, feel free to talk to our team for assistance and you will never regret your decision to work with us. We are reliable and established You can entrust all your academic work to course help online for original and high quality papers submitted on time.
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Milton Babbitt composed his first electronic work using the synthesizer—his Composition for Synthesizer —which he created using the RCA synthesizer at the Columbia-Princeton Electronic Music Center.
For Babbitt, the RCA synthesizer was a dream come true for three reasons. First, the ability to pinpoint and control every musical element precisely. Second, the time needed to realize his elaborate serial structures were brought within practical reach. Third, the question was no longer “What are the limits of the human performer? The collaborations also occurred across oceans and continents. Twelve speakers surrounded the audience, four speakers were mounted on a rotating, mobile-like construction above.
In , enabled by seed money from the National Endowment for the Arts , a new Audium opened, designed floor to ceiling for spatial sound composition and performance. In this approach, the composition of spatial manipulation is dependent on the location of the speakers and usually exploits the acoustical properties of the enclosure. A well-known example of the use of Moog’s full-sized Moog modular synthesizer is the Switched-On Bach album by Wendy Carlos , which triggered a craze for synthesizer music.
In David Tudor brought a Moog modular synthesizer and Ampex tape machines to the National Institute of Design in Ahmedabad with the support of the Sarabhai family , forming the foundation of India’s first electronic music studio.
Pietro Grossi was an Italian pioneer of computer composition and tape music, who first experimented with electronic techniques in the early sixties. Grossi was a cellist and composer, born in Venice in There were newspaper reports from America and England early and recently that computers may have played music earlier, but thorough research has debunked these stories as there is no evidence to support the newspaper reports some of which were obviously speculative.
Research has shown that people speculated about computers playing music, possibly because computers would make noises, [93] but there is no evidence that they actually did it. In it publicly played the ” Colonel Bogey March ” [96] of which no known recordings exist. However, CSIRAC played standard repertoire and was not used to extend musical thinking or composition practice which is current computer-music practice. The first music to be performed in England was a performance of the British National Anthem that was programmed by Christopher Strachey on the Ferranti Mark I, late in Later that year, short extracts of three pieces were recorded there by a BBC outside broadcasting unit: the National Anthem, ” Ba, Ba Black Sheep “, and ” In the Mood ” and this is recognised as the earliest recording of a computer to play music.
This recording can be heard at this Manchester University site. Researchers at the University of Canterbury , Christchurch declicked and restored this recording in and the results may be heard on SoundCloud. The late s, s, and s also saw the development of large mainframe computer synthesis. Laurie Spiegel developed the algorithmic musical composition software ” Music Mouse ” for Macintosh , Amiga , and Atari computers.
An important new development was the advent of computers to compose music, as opposed to manipulating or creating sounds. Iannis Xenakis began what is called musique stochastique , or stochastic music , which is a composing method that uses mathematical probability systems. Different probability algorithms were used to create a piece under a set of parameters. In Europe in , Karlheinz Stockhausen composed Mikrophonie I for tam-tam , hand-held microphones, filters, and potentiometers, and Mixtur for orchestra, four sine-wave generators, and four ring modulators.
In he composed Mikrophonie II for choir, Hammond organ, and ring modulators. In —67, Reed Ghazala discovered and began to teach ” circuit bending “—the application of the creative short circuit, a process of chance short-circuiting, creating experimental electronic instruments, exploring sonic elements mainly of timbre and with less regard to pitch or rhythm, and influenced by John Cage ‘s aleatoric music [ sic ] concept.
Cosey Fanni Tutti ‘s performance art and musical career explored the concept of ‘acceptable’ music and she went on to explore the use of sound as a means of desire or discomfort. Wendy Carlos performed selections from her album Switched-On Bach on stage with a synthesizer with the St. It was one of the first quadraphonic vinyl releases in over 30 years.
In the s, [] [] Japanese electronic musical instruments began influencing the international music industry. In , Ace Tone founder Ikutaro Kakehashi patented a preset rhythm-pattern generator using diode matrix circuit [] similar to the Seeburg ‘s prior U. The rhythm patterns could also be cascaded together by pushing multiple rhythm buttons simultaneously, and the possible combination of rhythm patterns were more than a hundred.
Turntablism has origins in the invention of direct-drive turntables. Early belt-drive turntables were unsuitable for turntablism, since they had a slow start-up time, and they were prone to wear-and-tear and breakage, as the belt would break from backspin or scratching. It eliminated belts, and instead employed a motor to directly drive a platter on which a vinyl record rests. In Jamaica , a form of popular electronic music emerged in the s, dub music , rooted in sound system culture.
Dub music was pioneered by studio engineers, such as Sylvan Morris, King Tubby , Errol Thompson , Lee “Scratch” Perry , and Scientist , producing reggae -influenced experimental music with electronic sound technology, in recording studios and at sound system parties. Despite the limited electronic equipment available to dub pioneers such as King Tubby and Lee “Scratch” Perry, their experiments in remix culture were musically cutting-edge. In the late s, pop and rock musicians , including the Beach Boys and the Beatles , began to use electronic instruments, like the theremin and Mellotron , to supplement and define their sound.
In his book Electronic and Experimental Music , Thom Holmes recognises the Beatles’ recording ” Tomorrow Never Knows ” as the song that “ushered in a new era in the use of electronic music in rock and pop music” due to the band’s incorporation of tape loops and reversed and speed-manipulated tape sounds. Also in the late s, the music duo Silver Apples and experimental rock bands like White Noise and the United States of America , are regarded as pioneers to the electronic rock and electronica genres for their work in melding psychedelic rock with oscillators and synthesizers.
Instrumental prog rock was particularly significant in continental Europe, allowing bands like Kraftwerk , Tangerine Dream , Can , Neu!
Ambient dub was pioneered by King Tubby and other Jamaican sound artists , using DJ-inspired ambient electronics, complete with drop-outs, echo, equalization and psychedelic electronic effects. It featured layering techniques and incorporated elements of world music , deep basslines and harmonic sounds.
Dub music influenced electronic musical techniques later adopted by hip hop music when Jamaican immigrant DJ Kool Herc in the early s introduced Jamaica’s sound system culture and dub music techniques to America. One such technique that became popular in hip hop culture was playing two copies of the same record on two turntables in alternation, extending the b-dancers ‘ favorite section. Electronic rock was also produced by several Japanese musicians, including Isao Tomita ‘s Electric Samurai: Switched on Rock , which featured Moog synthesizer renditions of contemporary pop and rock songs, [] and Osamu Kitajima ‘s progressive rock album Benzaiten Electronic music began to enter regularly in radio programming and top-sellers charts, as the French band Space with their single Magic Fly.
Jeff Wayne achieved a long-lasting success [] with his electronic rock musical version of The War of the Worlds.
Film soundtracks also benefit from the electronic sound. After the arrival of punk rock , a form of basic electronic rock emerged, increasingly using new digital technology to replace other instruments.
The American duo Suicide , who arose from the punk scene in New York, utilized drum machines and synthesizers in a hybrid between electronics and punk on their eponymous album. Synth-pop pioneering bands which enjoyed success for years included Ultravox with their track “Hiroshima Mon Amour” on Ha! The definition of MIDI and the development of digital audio made the development of purely electronic sounds much easier, [] with audio engineers , producers and composers exploring frequently the possibilities of virtually every new model of electronic sound equipment launched by manufacturers.
These developments led to the growth of synth-pop, which after it was adopted by the New Romantic movement, allowed synthesizers to dominate the pop and rock music of the early s until the style began to fall from popularity in the mid-to-end of the decade. Also, the synth sound is a key feature of Italo-disco. Some synth-pop bands created futuristic visual styles of themselves to reinforce the idea of electronic sounds were linked primarily with technology, as Americans Devo and Spaniards Aviador Dro.
Keyboard synthesizers became so common that even heavy metal rock bands, a genre often regarded as the opposite in aesthetics, sound and lifestyle from that of electronic pop artists by fans of both sides, achieved worldwide success with themes as Jump [] by Van Halen and The Final Countdown [] by Europe , which feature synths prominently.
Elektronmusikstudion [ sv ] EMS , formerly known as Electroacoustic Music in Sweden, is the Swedish national centre for electronic music and sound art.
The research organisation started in and is based in Stockholm. STEIM is a center for research and development of new musical instruments in the electronic performing arts, located in Amsterdam, Netherlands. STEIM has existed since This group of Dutch composers had fought for the reformation of Amsterdam’s feudal music structures; they insisted on Bruno Maderna’s appointment as musical director of the Concertgebouw Orchestra and enforced the first public fundings for experimental and improvised electronic music in the Netherlands.
IRCAM in Paris became a major center for computer music research and realization and development of the Sogitec 4X computer system, [] featuring then revolutionary real-time digital signal processing. Barry Vercoe describes one of his experiences with early computer sounds:. On a Guggenheim at the time, I extended this concept to real-time score-following with automatic synchronized accompaniment, and over the next two years Larry and I gave numerous demonstrations of the computer as a chamber musician, playing Handel flute sonatas, Boulez ‘s Sonatine for flute and piano and by my own Synapse II for flute and computer—the first piece ever composed expressly for such a setup.
A major challenge was finding the right software constructs to support highly sensitive and responsive accompaniment. All of this was pre-MIDI, but the results were impressive even though heavy doses of tempo rubato would continually surprise my Synthetic Performer.
In we solved the tempo rubato problem by incorporating learning from rehearsals each time you played this way the machine would get better. We were also now tracking violin, since our brilliant, young flautist had contracted a fatal cancer. Moreover, this version used a new standard called MIDI, and here I was ably assisted by former student Miller Puckette, whose initial concepts for this task he later expanded into a program called MAX.
Released in by Moog Music , the Mini-Moog was among the first widely available, portable, and relatively affordable synthesizers. It became once the most widely used synthesizer at that time in both popular and electronic art music.
Thanks to miniaturization of electronics in the s, by the start of the s keyboard synthesizers, became lighter and affordable, integrating into a single slim unit all the necessary audio synthesis electronics and the piano-style keyboard itself, in sharp contrast with the bulky machinery and ” cable spaguetty ” employed along with the s and s.
First, with analog synthesizers, the trend followed with digital synthesizers and samplers as well see below. In , the Japanese company Yamaha licensed the algorithms for frequency modulation synthesis FM synthesis from John Chowning , who had experimented with it at Stanford University since The Korg Poly is a synthesizer released by Korg in It had 8-voice polyphony with one Digitally controlled oscillator DCO per voice. The Roland D is a digital synthesizer produced by Roland and released in April Its features include subtractive synthesis , on-board effects, a joystick for data manipulation, and an analogue synthesis-styled layout design.
The external Roland PG — programmer could also be attached to the D for more complex manipulation of its sounds. A sampler is an electronic or digital musical instrument which uses sound recordings or ” samples ” of real instrument sounds e. The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back using the sampler program itself, a MIDI keyboard , sequencer or another triggering device e.
Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords.
Before computer memory-based samplers, musicians used tape replay keyboards, which store recordings on analog tape. When a key is pressed the tape head contacts the moving tape and plays a sound. The Mellotron was the most notable model, used by many groups in the late s and the s, but such systems were expensive and heavy due to the multiple tape mechanisms involved, and the range of the instrument was limited to three octaves at the most.
To change sounds a new set of tapes had to be installed in the instrument. The emergence of the digital sampler made sampling far more practical. The first commercially available sampling synthesizer was the Computer Music Melodian by Harry Mendell First released in —78, [] the Synclavier I using FM synthesis , re-licensed from Yamaha , [] and sold mostly to universities, proved to be highly influential among both electronic music composers and music producers, including Mike Thorne , an early adopter from the commercial world, due to its versatility, its cutting-edge technology, and distinctive sounds.
The first polyphonic digital sampling synthesizer was the Australian-produced Fairlight CMI , first available in These early sampling synthesizers used wavetable sample-based synthesis. In , a group of musicians and music merchants met to standardize an interface that new instruments could use to communicate control instructions with other instruments and computers.
MIDI technology allows a single keystroke, control wheel motion, pedal movement, or command from a microcomputer to activate every device in the studio remotely and synchrony, with each device responding according to conditions predetermined by the composer. MIDI instruments and software made powerful control of sophisticated instruments easily affordable by many studios and individuals.
Acoustic sounds became reintegrated into studios via sampling and sampled-ROM-based instruments. Miller Puckette developed graphic signal-processing software for 4X called Max after Max Mathews and later ported it to Macintosh with Dave Zicarelli extending it for Opcode [] for real-time MIDI control, bringing algorithmic composition availability to most composers with modest computer programming background. The early s saw the rise of bass synthesizers , the most influential being the Roland TB , a bass synthesizer and sequencer released in late that later became a fixture in electronic dance music , [] particularly acid house.
Drum machines , also known as rhythm machines, also began being used around the lates, with a later example being Osamu Kitajima ‘s progressive rock album Benzaiten , which used a rhythm machine along with electronic drums and a synthesizer. The first band to use it was Yellow Magic Orchestra in , and it would later gain widespread popularity with the release of Marvin Gaye ‘s ” Sexual Healing ” and Afrika Bambaataa ‘s ” Planet Rock ” in The characteristic lo-fi sound of chip music was initially the result of early computer’s sound chips and sound cards ‘ technical limitations; however, the sound has since become sought after in its own right.
Synth-pop continued into the late s, with a format that moved closer to dance music, including the work of acts such as British duos Pet Shop Boys , Erasure and The Communards , achieving success along much of the s. The trend has continued to the present day with modern nightclubs worldwide regularly playing electronic dance music EDM. Today, electronic dance music has radio stations, [] websites, [] and publications like Mixmag dedicated solely to the genre. Despite the industry’s attempt to create a specific EDM brand, the initialism remains in use as an umbrella term for multiple genres, including dance-pop , house , techno , electro , and trance , as well as their respective subgenres.
On the other hand, a broad group of electronic-based music styles intended for listening rather than strictly for dancing became known under the ” electronica ” umbrella [] [] which was also a music scene in the early s in the United Kingdom.
As computer technology has become more accessible and music software has advanced, interacting with music production technology is now possible using means that bear no relationship to traditional musical performance practices: [] for instance, laptop performance laptronica , [] live coding [] [] and Algorave.
In general, the term Live PA refers to any live performance of electronic music, whether with laptops, synthesizers, or other devices. Beginning around the year , some software-based virtual studio environments emerged, with products such as Propellerhead’s Reason and Ableton Live finding popular appeal.
Such advances have democratized music creation, [] leading to a massive increase in the amount of home-produced electronic music available to the general public via the internet. Software-based instruments and effect units so-called “plugins” can be incorporated in a computer-based studio using the VST platform. In many cases, these software-based instruments are sonically indistinguishable from their physical counterpart.
Circuit bending is the modification of battery-powered toys and synthesizers to create new unintended sound effects. It was pioneered by Reed Ghazala in the s and Reed coined the name “circuit bending” in Following the circuit bending culture, musicians also began to build their own modular synthesizers, causing a renewed interest in the early s designs.
Eurorack became a popular system. From Wikipedia, the free encyclopedia. Genre of music that makes use of electronic instruments. For other uses, see Electronic music disambiguation. For the magazine, see Electronic Musician. Further information: Electroacoustic music and Sound recording and reproduction. See also: Acousmatic music. Phonogene , a tape machine for modifying the sound structure, developed by Pierre Schaeffer et al.
Pierre Schaeffer presenting the Acousmonium that consisted of 80 loudspeakers for tape playback, at GRM. This section may be confusing or unclear to readers.
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Yamaha Magna Organ and the designated tone cabinet [47]. Main article: Computer music. See also: Music-N and Algorithmic composition. This section contains information of unclear or questionable importance or relevance to the article’s subject matter.
Please help improve this section by clarifying or removing indiscriminate details. If importance cannot be established, the section is likely to be moved to another article, pseudo-redirected , or removed. Main article: Live electronic music. Main article: Dub music. See also: Sound system Jamaican. See also: Progressive rock , Krautrock , Space rock , and Contemporary electronic music. Main article: MIDI. Main articles: Music sequencer and Drum machine.
This article’s factual accuracy is disputed. Relevant discussion may be found on the talk page. Please help to ensure that disputed statements are reliably sourced. December Learn how and when to remove this template message. Main article: Chiptune. See also: Video game music. Main article: Electronic dance music. Music portal. Cengage Learning. ISBN All types of sounds can be used as source material for this music.
Electroacoustic performers and composers use microphones, tape recorders, and digital samplers to make live or recorded music. During live performances, natural sounds are modified in real-time using electronic effects and audio consoles. The source of the sound can be anything from ambient noise traffic, people talking and nature sounds to live musicians playing conventional acoustic or electro-acoustic instruments Holmes , p. Musical concepts that were once considered radical—the use of environmental sounds, ambient music, turntable music, digital sampling, computer music, the electronic modification of acoustic sounds, and music made from fragments of speech-have now been subsumed by many kinds of popular music.