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Download Steinberg Nuendo | Steinberg Nuendo Educational Pricing
With impressive new automation features and free mixer routing, have Steinberg taken their flagship audio application to the top of the class? Here was a modern audio application with features that competitors could only dream about at the time, such as sophisticated multiple undo and surround support, running without the aid of any additional hardware.
The Nuendo revolution never quite happened, though. Nuendo 3. Nuendo 4 incorporates nearly all of the features from Cubase 4, and perhaps the most significant of these new features for Nuendo users will be the Media Bay, which provides a comprehensive way of databasing and cataloguing audio assets.
As mentioned in the introduction, Steinberg originally added full, Cubase-level MIDI functionality to Nuendo in version 2; but in version 4 the company have decided to take out the Drum and Score editors, and to not include the four new VST Instruments supplied with Cubase 4.
These features are still available to Nuendo users, but only if they buy an optional Nuendo Expansion Kit NEK on top of the basic upgrade.
A side note about the Score editor in Nuendo 4 is that you can now import and export MusicXML files, which is pretty neat, as it provides a way to share data with other score-writing applications, keeping symbols and other articulation markings intact. Um, right. I think that Nuendo is sufficiently well-known at this point that a post-production professional is not going to overlook the program just because it also comes with score and drum editing features.
This is important because mixers, especially in post-production, will need to deliver mixes as stems, where a stem is basically a submix of a number of related audio tracks. For example, when music is delivered to a dub stage for mixing into a film, a mix is normally separated into a number of stems for groups of instruments like strings, brass, percussion and synths.
If all the stems are played together at 0dB, this will be the mix as the music mixer intended it; but often the dubbing mixer will need finer control over certain sounds to help the music sit better with the dialogue and effects, and this is where having the mix as a number of stems rather than as one audio file comes in handy. And while you could fake the idea of record busses by looping a number of outputs on your audio hardware to inputs, this could be a limiting approach and also threw up a bucketload of offset issues.
But now, finally, in Nuendo 4, group and FX channels can be used as inputs to audio tracks. FX channels are effectively the same as group channels, except for the fact that you can choose to add an insert effect automatically when you create an FX channel, and these channels are visually grouped together separately from group channels.
On the other hand, I can see that some users may find the distinction helpful in separating FX channels for effects and group channels for submixing, even though it becomes less clear when you start putting inserts on your groups as well, such as when submixing drums. This means if you want to record the output of an audio track to another audio track, you route the first track to a group and then set that group as the input for the other audio track.
The new routing capabilities in Nuendo 4 go well beyond just being able to route groups to audio tracks, though. The only slight limitation with the new routing features is that when you select a group or FX channel to be the input of an audio track, the group you select must be of the same channel configuration as the audio track. Despite this one limitation, Nuendo users will be or should be, at least having parties in the street for the new routing flexibility, which is a huge improvement over previous versions and adds a crucial ability to the application that had been noticeably absent for some time.
Now, if only you could route a channel to multiple outputs without having to use sends.. Like the Transport panel, the Automation panel can be customised so you can set which categories of controls you want to see.
But its design is quite different and seems almost tactile, with a large number of cleanly laid-out and well-sized buttons that give a clear indication as to the status of the automation controls. In fact, this panel seems crying out to be used in conjunction with a touchscreen. Previously, when you chose a mode for writing automation data, such as Touch or Auto-Latch, that mode would be global so the data created when you adjusted the controls of any track would be written using the same automation mode.
In Nuendo 3, enabling automation on a track would arm all controls on that track for automation. So if you were riding a volume fader in an automation pass and you suddenly wanted to trim the reverb send level on that track, both the volume and send level would generate automation data. To this end, Nuendo now offers a number of Fill options, of which Fill To End would aid the situation just described. Likewise, Fill To Start and Fill To Punch write the current value of a control being automated to either the start of the Project or the point at which you started the transport rolling for that pass, while Fill Loop writes the current value when the control being automated is released to the current loop region.
When Preview mode is enabled in the Automation panel, you can enable individual controls for a Preview pass by either touching the control or enabling the Preview button on the automation track for that control. However, Preview mode allows you to do much more than simply preview an automation pass.
Once Preview mode is active, three additional commands become available in the Automation panel: Suspend, Punch and Punch on Play. The Preview Suspend command allows you to toggle between the current Preview position of an automation control and the original automation data that already exists for that control, which is, as you can imagine, incredibly useful. Punch lets you punch in and start replacing the existing automation from the current transport position, at which point Preview mode will become inactive.
When you punch in from Preview mode, Nuendo will store the values of all the controls that were enabled in Preview mode as an entry in the Punch Log, which is part of the Automation panel. The Punch Log is set to store 10 entries by default, although this value can be increased to if you wish. And once your last entry in the Punch Log has been created, Nuendo will start overwriting the entries at the beginning of the log. Once a punch entry has been added to the log, you can recall it by clicking the Load button, and by enabling Punch on Play, the stored values for all controls in that punch will be written as automation the next time the transport starts playing, which is pretty neat.
Preview mode is pretty powerful, but one area that can become frustrating is having to manually enable every single control you want to include in a Preview pass. One thing that would be nice, though, is a way of enabling all controls on the mixer for Preview mode with a single command, which would also make it easier to work with snapshots of the entire mixer. Overall, the new automation features in Nuendo 4 are quite impressive.
Download lagu terbaru pop indonesia maret mp3. It perhaps goes without saying that a control surface will help you to get the most out of the new automation functionality, and assigning key commands or any customisable buttons on your surface to all of the new controls in the Automation panel is going to be essential.
Here you can see one of the presets that comes with Nuendo 4, which deletes Volume automation tracks. While the new routing and automation features are tremendously useful, possibly my favourite feature in Nuendo 4 is the new Project Logical Editor, which enables you to manipulate objects in the Project window based on certain conditions. The Project Logical Editor looks like and works in exactly the same way as the Logical Editor, which is used for processing MIDI events, although these two editors work completely independently of each other.
The basic premise of the Project Logical Editor is that you can set a condition, and any object that matches this condition on the Project window can either be selected, deleted, or transformed according to the action you specify. The real power of the Project Logical Editor comes from the fact you can manipulate tracks, parts and events for almost every type of data: audio, MIDI, automation, marker, transpose and Arranger types are all supported.
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