(PDF) Adobe Animate CC Classroom in a Book | Aziz Assefa – replace.me

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Bestselling Classroom in a Book series is the ideal way for students to learn how to create high-quality animation and classromo for the Web using project-based lessons. Aimed at beginning users and designed to teach Adobe Animate features, such as designing interactive animations and publishing them on gook platforms for multiple devices.

Official training series from Adobe, developed with the support of experts from Adobe adobe animate cc classroom in a book pdf free teams. The release of Adobe Animate provides significant http://replace.me/6488.txt controls for animation with puppet warping and improvements to layer parenting, and enhancements to paint brush preferences and symbol options. Learn to use the revamped Asset Warp tool for a modern rigging approach to animating shapes and bitmap images.

Work with a more robust set of playback options for graphic symbols that provides total control over looping. Seamless collaboration through Adobe Creative Cloud makes Adobe Animate the ideal development environment for creative animation and multimedia. Adobe Animate Classroom in a Book release contains 11 lessons that cover the basics and beyond, providing countless tips and techniques to help you become more productive with the program. You can follow the book from start to finish or choose only those lessons that interest you.

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About Description Sample Content Updates. Features Bestselling Classroom in a Book series is the ideal way for students to learn how to create high-quality animation and interactivity for the Web using project-based lessons. Follow the instructions in the book’s pdv Started” section to unlock access to: Vc lesson files you need to work through the projects in the book Web Edition containing the complete text of the book, interactive quizzes, and videos that walk you through w lessons step by step What you need to use this book: Adobe Animate release software, for either Windows or macOS.

Getting Acquainted 2 Creating Graphics and Text 3. Animating Symbols with Motion Tweens 4. Advanced Motion Tweening 5.

Layer Parenting and Classic Tweens claszroom. Puppet Warping 7. Inverse Kinematics with Bones 8. Animating the Camera 9. Animating Shapes and Using Masks Submit Errata. Overview Pearson Education, Inc. Collection and Use of Information To conduct business and deliver products and services, Pearson collects and uses personal information in several ways in connection with this site, including: Questions and Inquiries For inquiries and questions, we collect the inquiry or question, together with name, contact details email address, phone number and mailing address and any other additional information voluntarily submitted to us through adoeb Contact Us form or an email.

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Adobe Animate CC Classroom in a Book ( Release) by Russell Chun (replace.me).pdf – replace.me

 

Animate converts the current layer to a tween layer so you can begin to animate the instance. The 3D rotation control appears on the selected movie clip. The change in the 3D rotation becomes a motion tween, so the title appears to swing in three dimensions. That means controlling where to point the camera to frame the action, zooming in or out, panning, or even rotating the camera for special effect.

All of these camera movements are available in Animate with the Camera tool. The Timeline contains added frames and a motion tween in the title layer. On the Stage, the camera controls appear. You can click the button again to restore the Camera layer. To delete the Camera layer entirely, select it and click the Delete button trash can icon. The Camera layer operates a little differently than a normal layer in which you are accustomed to adding graphics.

Disable the Camera layer by choosing your Selection tool, or by clicking the Remove Camera button at the bottom of the Timeline. Your camera will initially hide a part of her face to create a little bit of mystery. There are two modes on the controls, one for Rotate and another for Zoom. The Zoom mode should be highlighted. The Camera view zooms closer into the Stage. The slider snaps back to the center, allowing you to continue dragging to the right to continue zooming.

You can also enter a numerical value for the zoom in the Properties panel in the Camera Properties section. Your Stage shows a close-up view of the cityscape between the two main characters. As with any bitmap, zooming in too dramatically will reveal the limitations of the original embedded image. The contents of the Stage move to the right. So if you point your camera to the left, the objects in view will move to the right.

Animating a pan A pan is the motion of the camera left to right or up and down. In the context menu that appears, choose Create Motion Tween. A motion tween is added to the Camera layer, indicated by the blue-colored frames. Hold down the Shift key to constrain the motion to a straight vertical line. A new keyframe is established at frame 25, and Animate creates a smooth motion of the camera between the two keyframes.

Panning across the Stage Your viewers now see this mystery woman, who is looking to her left. But who or what is she looking at? A new keyframe is automatically created at frame 70 with the camera in its new position. The camera pans across the Stage from left to right between frames 40 and The camera will hold its position from frame 70 to frame After the mystery man is revealed, the camera zooms out to show both characters, the cityscape, and the animation of the title fading into view.

Animating camera color effects You can also apply and animate camera color effects to create a color tint or to change the contrast, saturation, brightness, or hue of the entire view on the Stage.

The Brightness, Contrast, Saturation, and Hue values appear, all of them with a value of 0. The view through the camera becomes desaturated and all the graphics on the Stage appear black and white. Animate creates a motion tween of the camera becoming more desaturated from frame to frame You can also use the integrated Controller at the bottom of the Timeline. However, to preview your animation as your audience will see it and to preview any nested animations within movie clip symbols, you should test your movie.

Animate displays the SWF file in a new window with the exact Stage dimensions and plays your animation. Test your movie for both your 04CameraStart. To exit Test Movie mode, click the Close window button.

For example, animations with HTML5 or on mobile devices often rely on sequential PNG files or a single file that packs all the images organized in rows and columns, known as a sprite sheet. The sprite sheet is accompanied by a data file that describes the position of each image, or sprite, in the file. Generating either PNG sequences or a sprite sheet of your animation is easy.

First, your animation must be within a movie clip symbol. In the next steps, you select the destination on your hard drive for your images and the dimensions of your images. For a sprite sheet, right-click the symbol and choose Generate Sprite Sheet.

The Generate Sprite Sheet dialog box that appears provides different options, such as sizing, background color, and the particular data format. Click Export to output the sprite sheet and data file. Review Answers 1 A motion tween requires a symbol instance on the Stage and its own layer, which is called a tween layer.

No other tween or drawing object can exist on the tween layer. Keyframes are specific to each property, so that a motion tween can have keyframes for position that are different from keyframes for transparency.

You can also choose the Convert Anchor Point tool and Subselection tool to pull out handles at the anchor points. The handles control the curvature of the path.

Without easing, a motion tween proceeds linearly, where the same amount of change happens over time. An ease-in makes an object begin its animation slowly, and an ease-out makes an object end its animation slowly. Use the Camera tool to zoom in to a different part of the Stage, zoom out to show more, rotate, or pan. You can also use the Camera tool to adjust the tint or color effect of the view. See Creative Cloud Libraries character animation.

See animating natural motion and characters classic tweens applying, — overview of, Clear Guides command, click response, adding, — clipping, audio, — clips, movie. See movie clip symbols code Actions panel for writing, adding using Code Snippets panel, — creating code snippets, — sharing code snippets, — using HTML5 Canvas code snippets, Code Editor, Code Snippets panel adding ActionScript code, — adding click response, — creating custom snippets, — sharing snippets, — stopping animations, using HTML5 Canvas code snippets, codecs, video encoding, Collaborate, Library Options menu, color.

See also property curves creating, 57—58 editing, 58—59 Cut command frames, layers, 22 D damping effects, applying to spring effect, — debugging code, — Delete command anchor points, 59, —, audio sound file, — keyframes, 19 property curves, desktop applications, publishing. See also HTML5 Canvas documents creating new, 3—4 playback environments, 4—5 switching between document types, 5 types of, domain, identifying, 75—76 dot. See file formats frame-by-frame animation changing appearance of graphics, — inserting new keyframe, — overview of, frame labels, — Frame Picker, — frame rate, viewing on Timeline, 11 Frame View menu, 12 frames.

See Adobe Illustrator images exporting, 82—83 formats, publishing, — Import To Library, 9—10, Import To Stage, 10, 96—99, Import Video, , — importing advanced options, 89—91, 96—97 artwork, 92 bitmap to Stage, Illustrator files, 5, 88—92 items to Library panel, 9—10 items to Library panel and adding to Stage, 10 Photoshop file for background, 96—99 simple options, 91, 99 sound files, — SVG files, 92 symbols, 94 video clips, — Ink Bottle tool, changing strokes and fills, 45, interactivity.

See also navigation, interactive ActionScript 3. See animating natural motion and characters navigation, interactive ActionScript 3. See also by individual panel types function of, 1 working with, 25—27 panning, with cameras, — parentheses , scripting syntax, Paste command applying to selection, 43—44 artwork from Illustrator into Animate, 92 filter options, keyframes, — layers, 22 motion tweens, — property curves, — vs. See ActionScript 3. See springiness, simulating in character animation size, changing symbol size, — skins, choosing video interface style, smooth points, 60 smoothing option, working with images, 25 Snap To Objects adding shape hints, creating shapes, 41—42 sound.

See animating symbols applying filters to, — blending effects, breaking apart, button symbols. Adobe Animate CC provides more expressive tools, powerful controls for animation, and robust support for playback across a wide variety of platforms. Gain advanced control over character animations with layer parenting and AI-driven lip syncing. Learn to focus the action on different parts of the Stage with the Camera tool and create a realistic sense of space with the Layer Depth panel. The online companion files include all the necessary assets for readers to complete the projects featured in each chapter.

All buyers of the book get full access to the Web Edition: A Web-based version of the complete ebook enhanced with video and multiple-choice quizzes.

Previous page. Print length. Publication date. See all details. Next page. Frequently bought together. Total price:.

To see our price, add these items to your cart. All buyers of the book get full access to the Web Edition: a Web-based version of the complete ebook enhanced with video and interactive multiple-choice quizzes.

As always with the Classroom in a Book, Instructor Notes are available for teachers to download. Animating the Camera 9. Animating Shapes and Using Masks Submit Errata. Overview Pearson Education, Inc. Collection and Use of Information To conduct business and deliver products and services, Pearson collects and uses personal information in several ways in connection with this site, including: Questions and Inquiries For inquiries and questions, we collect the inquiry or question, together with name, contact details email address, phone number and mailing address and any other additional information voluntarily submitted to us through a Contact Us form or an email.

Surveys Pearson may offer opportunities to provide feedback or participate in surveys, including surveys evaluating Pearson products, services or sites. Contests and Drawings Occasionally, we may sponsor a contest or drawing. Newsletters If you have elected to receive email newsletters or promotional mailings and special offers but want to unsubscribe, simply email ask peachpit. Service Announcements On rare occasions it is necessary to send out a strictly service related announcement.

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Sharing and Disclosure Pearson may disclose personal information, as follows: As required by law. Links This web site contains links to other sites. With Span Based Selection enabled, you can click anywhere within the motion tween to select it, and move the whole ani- mation backward or forward along the Timeline as a single unit.

You can change the color effect of an instance in one keyframe and change the value of the color effect in another keyframe, and Animate will automatically display a smooth change, just as it does with changes in position. Animate will create a smooth fade-in effect. The cityscape instance on the Stage becomes totally transparent. The cityscape instance on the Stage becomes totally opaque.

Animate interpolates the changes in both position and transparency between the two keyframes. Animating filters is no different from animating changes in position or changes in color effect. You simply set the values for a filter at one keyframe and set different values for the filter at another keyframe, and Animate creates a smooth transition.

Click the upper-right side of the Stage to select the transparent instance. Or, click the woman layer in the Timeline to highlight it; then click within the outline that appears on the Stage.

Set the Blur X and Blur Y values to 20 pixels. The woman instance is blurred throughout the motion tween. Animate establishes a keyframe for filters at frame The Blur filter changes from the keyframe at frame to the keyframe at Animate creates a smooth transition from a blurry instance to an in-focus instance.

Understanding property keyframes Changes in properties are independent of one another and do not need to be tied to the same keyframes. That is, you can have a keyframe for position, a different keyframe for the color effect, and yet another keyframe for a filter. Managing many different kinds of keyframes can become overwhelming, especially if you want dif- ferent properties to change at different times during the motion tween.

Fortunately, Animate CC provides a few helpful tools for keyframe management. When viewing the tween span, you can choose to view the keyframes of only cer- tain properties. For example, you can choose to view only the Position keyframes to see when your object moves. Or, you can choose to view only the Filter keyframes to see when a filter changes. Right-click a motion tween in the Timeline, choose View Keyframes, and then select the desired property among the list.

You can also choose All or None to see all the properties or none of the properties. When inserting a keyframe, you can also insert a keyframe specific to the property you want to change. Right-click a motion tween in the Timeline, choose Insert Keyframes, and then select the desired property.

You can also view an advanced panel, called the Motion Editor, to see and edit how the different properties of your object change over the course of the motion tween. These kinds of changes are made with the Free Transform tool or with the Transform panel.

The car will start small, and then become larger as it appears to move forward toward the viewer. The transformation handles appear around the instance on the Stage. The car becomes totally transparent. The current layer becomes a tween layer. A new keyframe is automatically inserted at frame to indicate the change in transparency. You have used Animate to tween the change in position and the change in scale as well as the change in transparency from frame 75 to frame Motion presets If your project involves creating identical motion tweens repeatedly, Animate allows you to save and reuse motion tweens as presets.

For example, if you want to build a slideshow where each image fades out in the same manner, you can save that transition as a motion preset. Alternatively, right-click the motion tween and choose Save As Motion Preset. Animate provides a number of motion presets that you can use to quickly build sophisticated animations without much effort. Changing the Path of the Motion The motion tween of the left car that you just animated shows a colored line with dots indicating the path of the motion.

You can edit the path of the motion easily to make the car travel in a curve, or you can move, scale, or rotate the path just like any other object on the Stage. To better demonstrate how you can edit the path of the motion, open the sample file 04MotionPath. Moving the path of the motion You will move the path of the motion so the relative movement of the rocket ship remains the same but its starting and ending positions change. The path of the motion becomes highlighted.

The relative motion and timing of the animation remain the same, but the starting and ending positions are relocated. Transformation handles appear around the path of the motion. You can make the path smaller or larger, or rotate the path so the rocket ship starts from the bottom left of the Stage and ends at the top right. Editing the path of the motion Making your objects travel on a curved path is a simple matter. You can either edit the path with Bezier precision using anchor point handles, or you can edit the path in a more intuitive manner with the Selection tool.

The handle on the anchor point controls the curvature of the path. Make the rocket ship travel in a wide curve. Select the Selection tool and make sure the path is deselected. Move your pointer close to the path of the motion. A curved icon appears next to your pointer, indicating that you can edit the path. Drag the path of the motion to change its curvature. Choose the spots where you drag carefully! Each drag breaks the path into smaller segments, making it harder to achieve a smooth curve.

Mastery will come with practice. In the motion picture splash page project, the orientation of the car is constant as it moves forward. However, in the rocket ship example, the rocket ship should follow the path with its nose pointed in the direction in which it is heading. Orient To Path in the Properties panel gives you this option. Animate inserts keyframes for rotation along the motion tween to orient the nose of the rocket ship to the path of the motion. Use the Free Transform tool to rotate its initial position so that it is oriented correctly.

This means that an object and its motion are independent of each other, and you can easily swap out the target of a motion tween. Select the object that you want to swap on the Stage.

In the Properties panel, click the Swap button. In the dialog box that appears, choose a new symbol 2 Click OK. Animate will swap the target of Animate replaces the rocket ship with the alien. The motion remains the same, the motion tween. Creating Nested Animations Often, an object that is animated on the Stage will have its own animation. For example, the wings of a butterfly moving across the Stage may flap as it moves.

 
 

Adobe animate cc classroom in a book pdf free. Adobe Animate CC Classroom in a Book

 
 
But who or what is she looking at? Holding down the Shift key constrains the movement to right angles.