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Ableton live 9 suite vs lite free
Includes Pro Tools | First Focusrite Creative Pack and Ableton Live Lite, Softube Time and Tone Bundle, Focusrite’s Red Plug-in Suite, 2GB of Loopmasters samples, Choice of one free XLN Addictive Keys virtual instrument, all available via download upon purchase and registration ; Compatible with Windows 7 and higher, and Mac OS X and. Jul 16, · It’s not common to have MIDI input/output at this price point, so the 24c scores on features and value there. The interface teams up with a generous software bundle that includes the Studio One Artist (limited-version DAW) + Studio Magic suite (Ableton Live Lite included). VST (fx and instrument) freebies contain some high-end choices for. Jan 04, · Live Lite (or the full version) seems to be the go-to choice for a lot of music producers and beat makers these days. Instead of opting for the mechanical, industrial, polished feel of modern DAWs, Ableton has opted for a more simplistic, “flat” user interface design, which could be one of its attraction factors.
ekşi sözlük – kutsal bilgi kaynağı.11 Best DAWs in 2022 [The Best Audio Editing Software for Beginners]
Check out our info for developers. Included Included Included Linked-track editing New in Live 11 Link two or more tracks to edit their content simultaneously. Excluded Included Included Multiple automation lanes Included Included Included MIDI Polyphonic Expression New in Live 11 Add bends, slides and pressure for each individual note in a chord, add subtle expression variations, morph between chords and create evolving sonic textures more easily.
Included Included Included Tempo Following New in Live 11 Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. Included Included Included Note Chance New in Live 11 Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time. Included Included Included Velocity Chance New in Live 11 Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.
Excluded Included Included Max for Live Powers a range of instruments and devices in Live Suite, and lets you customize or build your own devices, change the way Live works, and connect Live with the world around it. Included Included Included.
Software Instruments Intro Standard Suite. Drum Rack Updated for Live 11 An instrument for layering samples, synths and effects in a classic pad grid. Impulse A drum sampler with complex modulation capabilities.
Instrument Rack Updated for Live 11 Combine multiple instruments and effects into a single device, allowing for split and layered sounds with customized Macro controls. Simpler An easy-to-use but powerful sampler with classic synthesis parameters. DrumSynths Now in Live 11 Standard Updated for Live 11 8 devices to create unique drum and percussion sounds using synthesis. External Instrument A tool for integrating your external hardware synthesizers into your Live Sets with the ease and flexibility of plug-ins.
Analog Emulates the unique character of vintage analog synthesizers. Bass A monophonic virtual analog synthesizer that provides the entire palette of bass sounds in one device — from classically deep and clean to heavily distorted, rumbling tones. Collision Updated for Live 11 Physical modeling instrument for authentic mallet percussion sounds and creative percussion.
CV Instrument Sequence and play your modular. CV Triggers Trigger drums and events. Electric Updated for Live 11 The sounds of classic electric pianos.
Operator A versatile synthesizer combining frequency modulation and subtractive synthesis. Poli A virtual analog synth designed for classic polyphonic chords and phrases. Its vintage character comes from de-tunable oscillators, a powerful modulation section and built-in chorus.
Sampler Updated for Live 11 Sampling instrument with multisample playback and import as well as profound sound design options. Tension Updated for Live 11 Physical modeling string synthesizer. Wavetable Updated for Live 11 Immediately playable, infinitely capable, Wavetable is a new synthesizer built by Ableton. Stretch, morph and shape a wide range of waveforms into a rich and vast sound palette. Packs Intro Standard Suite Play. Chop and Swing Updated for Live 11 A homage to the style that made sampling an art form and put a new kind of groove on the musical map.
Chop and Swing comes loaded with curated recordings and professional presets perfect for cutting up and re-combining into fresh new tracks.
Drum Essentials Drum Essentials is a collection of handpicked sounds selected to cover a wide range of styles. A flexible, highly refined Pack to form the rhythmic foundation of any production. Grand Piano Updated for Live 11 Multiple articulations, sampled from a carefully prepared and programmed piano to capture the virtuosity of the classical grand piano sounds. Guitars and Bass A set of electric guitars and basses, expertly multisampled to cover different playing styles, velocities and articulations – from funky slap bass to gently strummed guitar chords.
Mood Reel New in Live 11 A collection of sounds for making music with a modern narrative feel. Evocative layered instruments combine organic and synthetic sounds with textural elements to add mood, space and movement to productions.
Skitter and Step Updated for Live 11 A sound collection that inhabits the space where growling basses, rinsing pads and jarring melodies collide with jagged, broken percussion. The cavernous spaces, dubby basses and tight drums are ready for production but were designed for deep sound manipulation.
Beat Tools With more than Drum and Instrument Racks, over loops for slicing, tweakable effects chains and more, Beat Tools has all the sounds you need for hands-on beatmaking — especially with Push. Brass Quartet New in Live 11 Features a rich blend of trumpet, French horn, tenor saxophone and trombone in your music. The instrument highlights the natural breathiness, range of expression and broad tonality of the brass quartet.
Created in collaboration with Spitfire Audio. Build and Drop Build and Drop is loaded with ecstatic leads, enveloping bass, slamming drums and a range of rises, sirens and sounds effects.
A creative toolbox for building the irresistible anticipation and release this music uses to keep the party going. Drive and Glow Updated for Live 11 Drive and Glow combines swirling synth textures, overdriven guitars and basses and pounding drums.
Carefully curated to be mix-ready out of the box, this Pack is perfect for creating tracks that radiate with saturated, indie vibes. Drone Lab New in Live 11 Weave complex, evolving threads through your productions with tonal and textural samples, generative noise, multisampled instruments, plus devices and Effect Racks designed for experimentation. Drum Booth Updated for Live 11 Drum Booth contains carefully curated samples of acoustic kits recorded in a tight, dry room.
Perfect on their own or as reinforcement for electronic drums, Drum Booth also offers unique post processing options and experimental recordings not possible with standard acoustic libraries.
Special attention was given to making this Pack sound as true-to-life and organic as possible. The result is characterful electric keys for any genre. Glitch and Wash This collection explores the contrast of organic texture and precise rhythms — combining precision slices, jagged electronic noise and microscopic snippets of sound with warm ambient pads, textures and soundscapes.
Inspired by Nature New in Live 11 Six playful instruments and effects that use natural and physical processes as their inspiration. Created in collaboration with Dillon Bastan. Latin Percussion A collection of acoustic percussion instruments such as congas, timbales, claves, shakers, tambourines and bells from the worlds of Brazillian, Afro-Cuban and African music.
Orchestral Brass A thorough set of vivid and colorful brass instruments. Features solo and ensemble French horn, trombone, trumpet and tuba, with a unique set of articulations in multiple section sizes.
Orchestral Mallets The true essence of symphonic percussion instruments in pristine quality. Features vibraphone, marimba, xylophone, crotales, glockenspiel, tubular bells, cymbals and timpani with a variety of articulations. Orchestral Strings A comprehensive selection of naturally rich and dynamic stringed instruments.
Features solo and ensemble violin, viola, cello and double bass, all record in their natural positions within the orchestra, complete with a number of articulations. Orchestral Woodwinds Features a variety of clear and vibrant wind instruments.
Includes solo and ensemble flute, clarinet, bassoon, oboe and English horn, with a broad spectrum of articulations. Probability Pack A collection of creative sequencers that introduce probability and chance to your music. Punch and Tilt A dancefloor-ready collection of sounds focused on machine rhythms, weighty bass and dark, hypnotizing melodies, textures and noises — a rough sonic aesthetic that started with a small group of underground producers and has grown into a worldwide scene.
Session Drums Club A multisampled library of acoustic drums for nuanced play. Features room ambience from club environments. Session Drums Studio A multisampled library of acoustic drums that reproduces the nuances of a recording session. Features clear studio recordings of world-class drum kits, properly miked and ready to play. Singularities Singularities makes use of single samples and finely tuned, expressive parameters to capture the sound and feel of classic synths and samplers.
String Quartet New in Live 11 This combination of two violins, viola and cello has a sound that is immediately intimate, and is also a great starting point for sonic exploration.
Created by top artists and sound designers, Synth Essentials makes it easy to find the sounds you need with no interruption to your creative flow. Voice Box New in Live 11 A comprehensive collection of contemporary vocal samples from multiple voices, a set of playable vocal instruments, and Effect Racks designed for vocal processing. Audio Effects Intro Standard Suite. Audio Effect Rack Updated for Live 11 Combine audio effects into a single device, allowing for the creation of simplified Macro controls for complex effects chains.
Auto Pan LFO-driven panning, tremolo and beat-synchronized chopping effects. Beat Repeat Creative beat mangling with controlled or randomized repetitions of an incoming signal. Channel EQ A flexible and simple EQ with curves and gain ranges suitable for a variety of audio material. Chorus-Ensemble Updated for Live 11 Create thickening, flanging and vibrato effects. Ensemble is a new algorithm inspired by a thick 3-delay line chorus used in the 70s for string machines.
Compressor Dynamics processing to add punch and loudness. Delay A simple delay with Ping pong behavior, filter modulation and the ability to infinitely repeat the input signal. Gate Dynamics processing for noise reduction and decay or reverb shaping. Grain Delay Granular delay with controlled or randomized pitch.
Limiter Sets an absolute output limit, suitable for mastering. Looper Records, loops and overdubs audio, based on classic hardware looping pedals. Phaser-Flanger Updated for Live 11 Phaser-Flanger has a new, lusher sound with increased frequency and modulation ranges. Redux Updated for Live 11 Redux adds a wider range of sounds from vintage digital gear including harsh distortion, digital and aliasing artifacts, as well as warm and saturated 8-bit textures.
Reverb Simulates the acoustics of real or imaginary rooms. Saturator Waveshaping distortion for adding dirt, punch and warmth. Tuner Tuner shows the incoming pitch and its distance from the nearest semitone, helping you quickly get instruments in tune. Utility Multipurpose tool for adjusting gain, phase, stereo width and more.
Align Delay New in Live Useful for compensating for lag in sending audio, command messages, or other signals out of the digital realm. Drum Buss A one-stop workstation for drums, capable of adding warmth, distortion, drive, compression, transient shaping, plus a dedicated low end section.
Dynamic Tube Tube saturation for added harmonics and warmth. Envelope Follower Now in Live 11 Standard Use the envelope of any audio material to control device parameters. EQ Eight Eight parametric filters with a variety of controls for shaping timbre.
Ableton live 9 suite vs lite free.Release Notes
Getting hold of one of the best audio interfaces is one of the most important moves you can make as a home producer. Having one of the best audio interfaces will enable you to get high-quality audio in and out of your computer, and to connect other essential studio gear and instruments during your recording sessions. The market is awash with audio interfaces, all of which offer different features to turn your head. So, how do you choose the best audio interface for you and your studio?
With options covering everything from multi-input Thunderbolt options, to great entry-level USB audio interfaces. We’ve also got the best audio interfaces for Mac users and audio interfaces for PC. There should be something for you here. A USB-C audio interface that gives you double the number of inputs and outputs of the Audient, and sounds great. However, for us the studio devilry is in the detail: Audient has really thought about everything with value and usability in mind, making what is a budget solution feel anything but inexpensive in use.
There’s also the 4k button which adds some extra presence and high-end zing and, more importantly, makes you feel that little bit more ‘pro’. The app also handles low-latency monitoring. The Air option tilts the frequency response towards high frequencies, and this can be great for taming undesirable proximity or adding high frequency lift.
With a decent software bundle included, this is a solid upgrade and a great affordable audio interface. Read our full Focusrite Scarlett 4i4 3rd Gen review. The back panel and front edge house the inputs and outputs, while the top panel centres on a satisfyingly oversized knob. Connections are on space-saving combi XLRs with individual selector switches to select between line and instrument. The main output level is controlled from a large output level knob on the top panel.
This one makes our best audio interface list because in action the performance of the Komplete Audio 2 is as slick as its looks, and though the features are basic, it does its job admirably. And when you consider the excellent software bundle, it’s great value. Read our full Native Instruments Komplete Audio 2 review. It also incorporates a USB hub, although the power draw must be mA or less.
The MiniFuse 2 sounds pretty good, with nice clean main outputs and plenty of volume from the headphones. Factor in the impressive software bundle, generous five-year warranty and a choice of colours and you have a pretty decent package for the money.
Read the full Arturia Minifuse 2 review. Two speaker outs complete the connections and a central main dial controls the level of that output plus a number of other levels determined largely by which buttons on the top of the panel you press, these being 1 and 2 for the input levels , and output bottom right plus a final button that means the dial adjusts the mix between the input and DAW.
Using the headphone socket means the main dial controls this level. The one-dial solution is beautifully implemented and designed to help make EVO a clever, compact desktop solution that sounds great.
Read the full Audient Evo 4 review. Revolution 2×2 is packed with quality components and even includes branded USB cables. Visually, we think the unit is pretty understated and the feature set quite straightforward. The black design is nicely offset by backlit buttons, two-tone input level LEDs, a green USB indicator and multipart output level LEDs, so you have plenty of handy visual feedback and it really looks the part.
We also like the smooth controls, chunky Monitor output knob and mostly solid build quality. Revolution 2×2 looks unassuming, but is solidly built, easy to set up, surprisingly portable and brings crystal clear audio. It’s extremely worthy of your time. Read the full Black Lion Audio Revolution 2×2 review. Their feature sets are slightly different but underlying specifications are very similar.
Despite the amazingly low price, both units look well made and the black finish, recessed rubberised knobs and functional selector switches feel solid. It is USB 2. Focusrite’s Control software is easy to use and also available as a simplified iOS app, so you can control levels, including your low latency monitoring mix from your phone. The mic inputs are silky smooth and have plenty of headroom, and the outputs are crystal clear and suitably noise-free.
If you want to add some life to your input, the Air option does just that. Also excellent are the two JFET instrument inputs, substantially better than a regular instrument input.
The Volt range has the affordable market in its sights, and here we’re looking at the Volt and These look very different to other UA interfaces and have a very different remit. With the 76 Compressor you choose style Vocal, Guitar, Fast or Off one-button compression, each delivering a characteristic flavour without going overboard.
The Volts are a radical departure for UA, but they deserve to shake up the budget interface market with a great design, a plug-and-play workflow and hard-to-beat audio conversion. It’s bad news for other affordable interface makers: these are great!
Read the full Universal Audio Volt 76 series review. Read our full Mackie Onyx Producer 2. The UR22C, on test here, is the most affordable of these. These can be accessed via the dspMixFx mixer.
You get a couple of balanced Neutrik combo inputs, each of which sports a Yamaha D-PRE mic preamp, and two balanced line outputs. With its rugged metal casing, the UR22C is the best audio interface for you if you want something that can be slung in a backpack without fear.
Read the full Steinberg UR22C review. The follow-up to the original iRig Pro Duo , the new version offers two analogue combo inputs so that you can connect and simultaneously record your favoured combination of instruments and mics. These inputs come with updated Class-A preamps, adjustable gain increased for this model and phantom power. There are new dedicated PC drivers as well, along with a refreshed rubberised finish. Despite its compact frame, we found there to be plenty of connectivity on offer.
There are also inserts for inputs 1 and 2, allowing you to track through hardware compressors or channel strips. AudioFuse provides a beautiful and contemporary approach to USB audio interfacing with a great design, compatibility with a huge range of possible audio sources, a great sound and a highly tactile control set. Read our full Arturia AudioFuse review.
Antelope Audio is one of a small group of manufacturers that produces premium audio interfaces with onboard processing. In it launched an improved architecture, Synergy Core, that uses both FGPA and DSP chips to deliver near-zero latency onboard processing during recording or mixing.
On the front you get four DI inputs switchable to line level if required , two individually configurable HP outs and two handy transformer-based re-amp outputs, so you can send your DI back to a guitar amp input. The design of these is first class, with some classic hardware emulations. Zen Tour Synergy Core is an incredibly capable unit that is pretty easy to use and sounds fantastic.
Steinberg entered the Thunderbolt audio race with the the AXR4, a rack-mountable interface aimed at professional producers and engineers. The Steinberg AXR4 oozes quality from every pore, making it a serious contender in the pro audio interfacing arena. Read our full Steinberg AXR4 review. If you are a musician who wants to make great quality recordings and listen back to them on decent speakers, then you really need an audio interface. They allow you to record any audio into your computer or smart device — from strumming guitars and your singing through to a complete band or orchestra — and then mix that audio into a song in your DAW and hear the results back through pro-grade speakers.
When choosing the best audio interface for home studio and beyond, the first thing you need to work out is the number and type of inputs and outputs you need. Multiple outputs can also be useful if you want to set up separate headphone mixes if you’re a DJ, for example or send audio elsewhere for further processing.
Many interfaces also offer a phantom power option, which is required if you want to use certain microphones.
The cable required for connectivity usually ships with the interface but not always with Thunderbolt 3 and Lightning, so do check what you get in the box. Most interfaces are class-compliant, so will work out of the box — just plug them in and start using them straight away. Some come with extra software you will need to access some of their more detailed functions and routing.
Many, especially mobile interfaces, are bus-powered so you don’t have to plug a mains power supply into them. Inputs indicate the number of instruments or microphones you can connect up to record simultaneously. Check the interface has a phantom power option if you want to connect up a condenser mic which requires external power. The number of outputs refers to the number of connections available to your studio speakers or other hardware boxes, including outboard effects.
Interfaces are serious pieces of kit that should keep the audio signal quality high throughout the recording process, but you needn’t pay serious money for them. If you are an in-the-box producer, you might only need one input at any one time to record, plus a couple of outputs to your speakers. There are many companies making audio interfaces but some brands that score consistently well in our reviews and we stand by in terms of build quality, features and value for money are Apogee, Audient, Focusrite, Native Instruments, Steinberg, SSL and Universal Audio.
Audio interfaces are essentially devices designed to record audio into your computer DAW, and play it back out. The key factors when testing them are how easily they do this and the level of audio quality they are capable of delivering while doing so. Many audio interfaces are ‘plug n play’ so will automatically be picked up by your computer and DAW when you first connect them, so setting up should be easy. Your DAW should then list all of the audio interface’s physical inputs and outputs, often as selectable options on its input and output channels.
We test for sound quality by recording several sources via the interface’s mic and line inputs, and judging the playback quality against that expected from the specs. We also compare the same material recorded with our reference audio interfaces that we use on a daily basis. Some audio interfaces come with extra bespoke software that lets you select input and output configurations and might also add other routing options or even effects.
How easy this extra software is to use is also an important factor. We also consider latency when testing interfaces. This is the time it takes for audio to go into and out of your computer DAW via the audio interface.
If this is slow, the latency figure is high so can result in a delay between you playing a note and then hearing it. This is obviously not practical if you are recording some playing and attempting to be in time with your DAW playback. Read more about how we test music making gear and services at MusicRadar. Andy has been writing about music production and technology for 30 years having started out on Music Technology magazine back in He owns way too many synthesizers.
Ableton live 9 suite vs lite free.Export-enabled products
Please enable JavaScript in your browser in order to make this website functional. Includes more than factory and artist presets. Waves Central: The new version v Updated: SuperRack SoundGrid v Waves SoundGrid applications, firmware and drivers: Across-the-board software update.
All Waves plugins: Across-the-board software update to V All Waves plugins: Across-the-board software update to version Firmware update for DirectOut SG. MADI Converter 9. All Waves plugins: Across-the-board software update to version 9. Fixed issues:. Waves V9r22 Mac offline installer – October 23rd, Waves » Downloads » Release Notes.
Waves Local Server v July 19, Waves Central: The new version v Various other fixes and improvements. V14 coming soon. Improved: Faster load times — All V14 plugins are now optimized to load faster when loading a session, individual plugins, or presets.
New: Quick drag-and-drop presets — Preset files can now be dragged-and-dropped into any V14 plugin for a faster workflow. Improved: Live text and text boxes look sharper, with improved readability on low-DPI screens.
Fixed: Bug causing sample rate changes in Ableton V11 to disable plugin automation. Fixed: Bug causing the Save option not to be triggered in Cubase, Logic, and Studio One when non-automatable controls are changed. Fixed: Inconsistent Waveshell scan in Pyramix. Fixed: Bug causing settings not to be recalled on all controls after sessions in Pyramix are recalled.
Fixed: Bug causing controls to lose their relative position when they are multi-selected and controlled in precision mode. Fixed: Compressors reporting incorrect gain reduction to Studio One meters. Fixed in plugins with MIDI mapping: Bug causing files to be overwritten without warning when saving to a new file. Fixed: Bug preventing preset modification and saving via the Preset Browser Fixed in Waves standalone applications: Bug causing tempo to always load at bpm without preserving changes.
Possible crashes no longer occur when sessions are recalled in WaveLab Possible crashes after articulations are tweaked and plugin instance is removed. Fixed in Berzerk : The plugin no longer makes loud pop sounds when the ‘Character’ settings are changed in Digital Performer. Fixed in CLA : Bug causing meter state not to be preserved when sessions are recalled.
FX Mute automation values are now in the right order were previously reversed. CLA Epic no longer makes clicking sounds when the plugin is engaged in Logic. Bug causing the Gate to not open or close when only the Right channel is present.
Bug preventing the arrow keys from controlling parameters when the mouse cursor moves outside the module.
Removing the plugin no longer closes the Waves Head Tracker, if other plugins are using it. Fixed: In Launch Mode, the play head no longer disappears before the sample ends. Fixed: Bug causing several notes instead of just one to be played when playing between zones in Mono mode. Only one note is now being played. Various fixes in controls and automation names. More UI fixes, adjustments, and minor bug fixes. Fixed: Browsing samples no longer produces clicks in the Standalone application.
Fixed: Window no longer opens partially outside the screen under certain conditions. Fixed: The Vertical axis is no longer flipped on the Saturation map. Fixed: Various user guide updates and additions. Various UI improvements and more minor bug fixes. Fixed in Electric Grand 80 : The Limiter is now working properly. Audition ability added for NKS. Solo is now preserved when sessions are reloaded. Clicking on the band selector below the graph now changes only the band view previously, clicking the band selector also turned the band on and off.
Mac only: Text field in Banding selection now shows properly previously appeared correupted. Fixed in IR-series plugins : Load features in the preset menu have been re-enabled.
Fixed in L1 : Input meter no longer reflect Output state in Cubase. Fixed in Lofi Space : Mix knob can no longer be modified when Lock is active. Bug causing Time value to change after deactivation and reactivation in Pro Tools. This fix may slightly affect the sound of sessions created with previous versions. Fixed: Load features in the preset menu have been re-enabled.
Fixed: Bug causing triggered notes not to be displayed on the keyboard when the note source is Voice. Fixed: Sync values in odd time signatures have been corrected. Fixed in Retro Fi : Mix knob can no longer be modified when Lock is active. Bug causing the arrow keys to stop controlling parameters when the mouse cursor moves outside a module. Fixed in Vocal Bender : Sync values in odd time signatures have been corrected.
Bug causing Pro Tools to freeze when moving knobs in Audiosuite Preview. Fixed: Bug causing Q-Clone to continue processing when bypassed, after saved sessions are loaded. August 1, Waves Local Server v July 10, New micro firmware v1. June 12, Waves Local Server v Also available as a combo with the Nx Head Tracker.
Fixed: Noise burst when switching clock sources. Fixed: Compatibility with Hear Technologies firmware version 4. April 27, Waves Central: The new version v Improved installation reliability in certain scenarios. Updated: eMotion LV1 v New: Cue Mix to Matrix routing option. New: Diagnostics tool shortcut from the Setup window.
Improved performance with large systems. Improved routing view error display. Fixed: Session backward compatibility issues. Fixed: Toggle application windows in top-bar tabs causing hangs. Fixed: External insert bypass not recalled in scenes.
Fixed: Momentary level jump when changing Dugan groups via snapshots. Fixed in 4K Screens: The Hot Plugins panel appeared blank when a rack tab was detached in scaled mode. This no longer occurs. Fixed in macOS: Occasional crashes when moving detached plugins to a different rack. Fixed: Self-toggling when switching rapidly between tabs by user-assigned keys. Fixed: Multiple stability and performance fixes under the hood.
Updated: SuperRack Native v Updated: SoundGrid QRec v Available as a single plugin or as a combo with the Nx Head Tracker. Fixed: Modulating the resonance of the peak filter no longer results in wrong behavior. Fixed: Adding filter Drive in Mono mode no longer produces clicks. Fixed: Some factory presets no longer produce clicks on certain notes. Improved: Response of some controls to mouse-wheel.
Other general bug fixes and improvements. Includes over free samples. Enhanced optimization for Apple M1 processors. Fixed: Most Waves plugins could not load on non-English Windows systems with a non-English user name. Fixed: Waves instruments could not load on non-English Windows systems with a non-English user name.