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Neither McGraw-Hill nor its licensors shall be liable to you or anyone else for any inaccuracy, error or omission, regardless of cause, in the work or for any damages resulting therefrom. McGraw-Hill has no responsibility for the content of any information accessed through the work.
This limitation of liability shall apply to any claim or cause whatsoever whether such claim or cause arises in contract, tort or otherwise. To my mom, Marilyn May, for her love and support, and for encouraging me to be an artist.
Workspace Orientation. Creating Documents. Drawing and Editing Lines and Shapes. Making Selections. Pencil, Eraser, Paintbrush, and Blob Brush. Mastering the Pen Tool. Working with Layers. Working with Type. Transformation and Reshaping Tools. Making Patterns and Gradients. Symbols, 3D Mapping, and Flash Integration. Graph Tools. Special Tools and Techniques Creating Blends.
Clipping Masks and Compound Paths. Transparency and Blending Modes. Custom Graphic Styles and the Appearance Panel. Live Paint and Live Trace. Taking Illustrations to the Web. Printing Your Work. Contents Acknowledgments. PART I. The Illustrator Workspace. The Welcome Screen. The Workspace.
The Menu Bar. The Control Panel. The Status Bar. The Artboard. Customizing the Workspace. Organizing Panels. The Tools Panel. Flyout Menus. Tear off Menus. Tools and Tool Options. Keyboard Shortcuts. Custom Shortcuts. Preferences and Presets. Undoing and Automation.
Undo and Redo. The Actions Panel. New Documents. The New Document Dialog Box. Working with Templates. Multiple Artboards. Creating Multiple Artboards. Editing Artboards. Saving and Exporting Files. Native File Formats. File Versions. Exporting Files. Opening Files. Placing Artwork. The Links Panel. Moving Around the Workspace. The Zoom Tool. The Hand Tool. The Navigator Panel. The Info Panel. Rulers, Grids, Guides, and Smart Guides. Preview and Outline Mode.
Print Tiling Tool. Using Adobe Bridge. The Shape Tools. The Rectangle Tool. The Rounded Rectangle Tool. The Ellipse Tool. The Polygon Tool. The Star Tool. The Flare Tool. The Line Segment Tools. The Line Segment Tool. The Arc Tool. The Spiral Tool. The Rectangular Grid Tool. The Polar Grid Tool. Editing Lines and Shapes. The Stroke Panel.
Contents The Cutting Tools. The Scissors Tool. The Knife Tool. The Selection Tools. The Selection Tool. The Direct Selection Tool. The Group Selection Tool. The Magic Wand Tool. The Lasso Tool. The Eyedropper Tool. The Select Menu. The Pencil Tool. Freeform Paths. Closed Paths. Editing Pencil Paths. The Smooth Tool. The Path Eraser Tool. The Eraser Tool. The Paintbrush Tool.
Creating a Custom Brush. Brush Libraries. The Blob Brush Tool. The Pen Tool. Drawing Straight Lines. Drawing Curved Lines. Combining Straight and Curved Lines. Editing Paths. Adding Anchor Points. Deleting Anchor Points. Editing with the Direct Selection Tool. Arranging Objects. Group and Ungroup. Copy and Paste. Cut and Paste. Align and Distribute. Aligning or Distributing to a Selection. Aligning or Distributing to a Key Object.
Aligning or Distributing to the Artboard. Shape Modes. Isolation Mode. Entering Isolation Mode. Exiting Isolation Mode.
Understanding Layers. Creating a New Layer. Renaming a Layer. Setting Layer Options. Using the Layers Panel. Layers Panel Buttons. The Layers Panel Options Menu. Making a Template Layer. Tracing Artwork. Reorganizing Layers. Dragging and Dropping. Collect In New Layer. Send To Current Layer. Selection Indicator Drag and Drop. Targeting a Layer. The Color Panel. Changing Color Modes. Applying Color from the Color Panel. The Color Picker. The Out-of-Gamut Alert Triangle.
Contents The Color Guide Panel. The Edit Colors Dialog Box. The Swatches Panel. Applying Color. Types of Swatches. Creating a New Swatch. Creating a Tint of a Color. Swatch Libraries. Pantone and Other Color Books. Creating Custom Swatch Libraries. Editing Colors. Adobe Kuler. The Type Tool. Placing Type. Point Type. Area Type. Formatting Type. The Character Panel. The Paragraph Panel. The OpenType Panel. The Area Type Tool. Type on a Path Tool. Vertical Type Tools. The Vertical Type Tool.
The Vertical Area Type Tool. Vertical Type on a Path Tool. Wrapping Text Around an Object. Warping Text with Envelope Distort. Make With Warp. Make With Mesh. Make With Top Object. Fitting a Headline. Spell Check. Show Hidden Characters.
Change Case. Inserting Glyphs. Using Smart Punctuation. Converting Type to Outlines. The Transformation Tools. The Rotate Tool. The Scale Tool. The Shear Tool. The Reshape Tool. The Move Tool. The Free Transform Tool. The Transform Panel. Transform Menu Commands. The Reshaping Tools. Applying Patterns. Pattern Libraries. Creating Patterns. Expanding Patterns. Editing Patterns. Transforming Patterns. Applying Gradients. Gradient Libraries. The Gradient Panel.
Saving Gradients. The Gradient Tool. The Symbols Panel. Symbol Libraries. Creating Custom Symbol Libraries. Working with Symbols. Creating Your Own Symbols. Editing Symbols. Deleting Symbols. The Symbolism Tools. Mapping Symbol Art to 3D Objects.
Contents Integrating Illustrator Symbols with Flash. Copying Symbols to Flash. Exporting Symbols to Flash. Importing Symbols in Flash. The Graph Tools. Inputting Data. Adding Your Own Data. Importing Spreadsheet Data. Editing Graphs. Changing the Graph Type. Updating Graph Data. Customizing Graphs. Selecting and Editing Parts of a Graph. Applying Custom Graph Designs. Creating Blends. The Blend Tool. Blend Options. Editing Blends. Blend Menu Options.
Clipping Masks. Creating a Clipping Mask. Editing Clipping Masks. Releasing Clipping Masks. Creating Clipping Masks from Compound Shapes. Compound Paths. Creating a Compound Path. Editing a Compound Path. Releasing a Compound Path. The Transparency Panel. The Transparency Panel Options Menu. Creating Opacity Masks. Printing with Transparency. Flattening Artwork. Blending Modes. Special Effects. Applying Effects. Document Raster Effects Settings.
Illustrator Effects. Photoshop Effects. I tried again the next day. Thinking I might get either a real human or perhaps not a ten-year-old being directed by expert screens, I kept reiterating my mantra from above, and beseeching them to please have me contact someone higher up, or give me a telephone number, or ANY means of contacting someone who could understand the simple problem I was having.
No luck. Eventually, I just broke off contact again because after a couple hours of brainless circles, I simply capitulated. Two days later, I tried again and kept insisting to the tech person that I would not give up until they had either handed me over to someone who could understand the question or provide me with a telephone or email link.
And after another couple hours, that delivered me to Sra Gaurav Sharma, who as I mentioned at the beginning of this missive, immediately set about trying to obtain my personal financial information. Could not re-install CS4 InDesign from my product disk. After I type in my serial number which is printed on the CD case , it prompts me for a serial number from an earlier version of PageMaker.
This is absurd. I have no PageMaker product. I own the InDesign CS4 disk and package. I’ve owned it since like It ran fine on my computer for years. I had a computer system problem which forced me to re-install it, and it won’t install as it should. Completely up-to-date with all MS updates, etc. Just out of desperation, I have re-installed it as a “free trial. Thanks in advance for any help rendered. There is a second issue here: Adobe’s “technical support” chat; which is horrible and possibly criminal.
I’m going to enter this as a completely second discussion related to this. I have seen a similar question but no answer to it. I am making pdf documents in Indesign for a client and saving them off as interactive pdf files.
I create lots of pages of text fields for my clients customer to fill in. When I test the pdf in Preview on my mac all text fields work, however if you open the pdf in Acrobat some text fields are randomly missing and I have no idea why. In Acrobat it shows a black outlined box where the text field should be but it is not a text field and it won’t let you delete the black outlined box.
I’m having to recreate the missing text fields in Acrobat over the top of the blank black outlined boxes. Can someone help as it is so random, and I am creating a lot of documents for them, some all fine some have two or three text fields missing. Lots of lagging – very sluggish in moving things around, menus slow to respond etc. Very frustrating. All I can do is move the document around. After trying the space bar and other key commands I restarted and it worked for a while.
Then it happened again. I work on a Macbook pro, so when I removed the mouse and worked only with the trackpad there was no change. When I quit and reopened, no change. I then deleted prefs and restarted and it worked, but it’s been happening from time to time.
Anyone know any other fix without restarting or deleting prefs. I am unable to open my CS6 Indesign program. I work on a Mac which does not have the facility to reload the disk.
How do I reinstall indesign, or work out how to start it. In design ‘says error ‘. Please answer. If it fails, paste the contents of the file txt on your next reply. Also download the KB I fear that we will have to do a replacement of manual file in the end, but let’s try this first. Have got this code failure twice with automatic updates and got the same error code when I did an update of the manual. Anyone know the reason for this error code for this security update?
Had to restore the backup of Mac. Now receive error message Download the CS4 products. Internal error 0xF. The only thing I have running in this case is the Internet where I go to get the update and the windows installation progress. What should I do to get past this problem? Please help me Does anyone know by if Phtoshop CS4 works under Windows 10? Thank you very much Hi markusk. Please see these threads CS4 and Windows 10?
Adobe CS4 products and the operating system Windows I have Illustrator CS4 and it gives me the error code: 3. I bought Adobe several years ago, but this is the first time, he gave me problems and I can’t find anywhere how to fix it. If you have registered Adobe products, whether they are able to give you the missing parts of the registration number. I get error code 3 at startup. So I can’t use my program. It’s happened on the same computer, and a supporter of adobe provided a download that was put to work again.
As always, to Heefee and the kids. Chad has authored multiple books on Photoshop and After Effects. Chad and his brother, Todd, broadcast the All Things Adobe podcast, which offers free tips in Adobe software: www.
He is a Photoshop and Photoshop Elements beta tester and has worked with Photoshop since version 3. Wayne also teaches digital imaging and Photoshop classes at the Pennsylvania College of Technology. Contents at a Glance 1 Welcome to Photoshop.
Thank you to Roger Stewart and Carly Stapleton, as well as to all of the editors who caught my mistakes. It was a really great experience to work with Wayne Palmer as my tech editor again. His expert eyes always saw concepts that I missed. Thanks to Matt Wagner for being such a great support and advocate. Thanks also to my Seminary kids, who dealt patiently with the fact that I was a zombie every morning for two months. An extra special thanks also to my family, who frequently must endure my tendency to overbook my schedule.
And yet, through all of this, they see the light at the end of the tunnel more easily than I do. Introduction Welcome to this book! Before we jump right in and start learning, I want to give you a heads up as to what you can expect going forward.
Photoshop is not just for editing photographs anymore. If you have some prior experience with Photoshop, or if you are looking to use Photoshop for a specific purpose, feel free to jump around the book as you please. This book also takes a different focus than most Photoshop books do. Other Photoshop books tend to focus on photo editing, which is obviously a core part of what Photoshop does hence the name.
And we will cover a lot of information about image editing, of course. Note that Photoshop is available for both Mac and PC, and it functions almost identically on both. The keys usually used for this purpose are called modifier keys. These keys are different on Macs and PCs. The world of Photoshop is exciting, and you might decide to change your entire career based on what you read here.
What Is Photoshop? People use Photoshop in everything from designing posters to designing fashions. They use Photoshop in blockbuster Hollywood movies and in video games.
Anything you can do with a photo, you can do in Photoshop. Photoshop has developed and progressed into something much more. Photoshop 6 introduced cleaner text for printing. Photoshop 7 introduced some very robust painting tools. Figure shows an example of what can be done in Photoshop.
I was playing around with this photo of my wife. I love being able to take a photo and create a piece of art with it. I can go back and remove the green flowers next to her eyes, or change the background colors, or whatever else I want to do. This was just like painting on a canvas. If you messed up, your only choice was to paint over the mistake or start over. But with the introduction of layers, you could start putting pieces of your work onto separate parts of your image.
These separate parts layers can be moved, resized, colored, and otherwise adjusted independently of all other pieces of your work in Photoshop. Figure shows a faux side view of the layers that comprise this project. Notice that most of the layers do not take up the entire document as the background does. Because these elements are all on separate layers, I can adjust each one without affecting the others. You probably will want to use other creative programs in harmony with Photoshop.
Adobe Bridge is a file browsing application that allows you to sort, organize, and rank images. You can also download images from your digital camera to your computer by using Bridge. Bridge can open images, group them, perform some Photoshop automation commands, and much more. It was specifically created for making content for cell phones and mobile devices.
It contains profiles—with photos—of a huge library of cell phones. It can also instantly create Photoshop documents that match the exact specs of a particular phone. Many higher-end digital cameras allow you to save photos in a raw file format. This is like a digital negative—completely unprocessed and pristine. Camera Raw is a plug-in application that works with these files to color correct and adjust them. If software programs like Photoshop intimidate you, have no fear.
Why work when Photoshop can do it for you better and faster? It may sound farfetched to you now, but a few hundred pages down the road, you might be more convinced. So what are we waiting for? What better way to get acquainted with Photoshop than to know its interface? Most books and training about software programs begin with a tour of the interface, and that tour is typically skipped by most learners.
Granted, learning about panels and menus is not the most exciting thing, but understanding the interface is a critical step in becoming a power user.
Many self-taught users have a great deal of artistic skill, but find it difficult to become true professionals because they are inept at following workflow basics. Each tidbit of interface knowledge may seem small and insignificant on its own, but compounded they will allow you to produce your best work in the shortest time. About Panels The work area in Photoshop is largely made up of several task-centric, mini work areas called panels.
Most workflows use the Layers panel most frequently. Panels can be contracted and expanded to allow you more room to work. Approach Learning the Interface In many classes that I have taught on creative software applications, I often run into students so overwhelmed by the sight of the interface with all of its tools, panels, customization options, menus, and buttons that they just freeze in panic when the program launches.
One student interrupted class every few minutes to ask what a particular button did. Yes, learning the role of every single button and panel is a daunting challenge. You may not know what the pancreas does, or where stomach acid comes from, or how water is absorbed. But you know enough about the process to put food in your mouth. Think of the Photoshop interface in that way. You can add to your knowledge as you practice. When the panels are collapsed in either the icon-and-name view or in the icon-only view, you can see the full-size panel as a pop-out by simply clicking the icon.
Click the icon again to return the panel to its collapsed state. Get Panels to Close Automatically By default, panels opened from the icon view will stay open popped out even when you go back to your document and start working.
However, you might find yourself wanting panels, like unwanted houseguests, to just disappear so you can get back to work. On Windows, go to the Edit menu at the top of the screen, and choose Preferences Interface. After you open collapse the panel. Even though it is called a panel, as tabs when expanded right. The Tools panel is where you go to get surprise! For a certain task, how do you know whether you need to look for a tool or for a particular panel?
Tools typically require you to manually adjust something in your document. So you would go to the Tools panel for tasks typically performed with your mouse such as drawing, selecting specific areas for editing, and painting. For example, if you wanted to paint a self- portrait, you would search for a tool the Brush tool in the Tools panel, not in one of the other panels.
Other panels usually tweak the entire document at once when they make adjustments. Screen Real Estate The area of the screen that you work in is often called your screen real estate. By collapsing panels and using the interface efficiently, you will create more usable screen real estate.
That will leave you a much larger portion of the screen to work on your documents. In the olden days of Photoshop, the Tools panel was shorter and was two columns wide as Note opposed to the current default single-column view. These programs all share a customizable, docked, panel- based workspace, which is remarkably similar to what you see in Photoshop.
The Menu Bar At the very top of the interface, we have the Menu bar. As we go through this book, when I instruct you to go to a particular menu for example, the Filter menu , this bar is where you would find the menu. For example, as you are working with layers, you may get stumped when trying to perform a certain function.
The icon is on Note the upper right of every panel and looks like four horizontal lines with a down arrow on the left side of them. Thus, the Layer menu is at the top of the interface, while the Layers panel menu is in the Layers panel. This is new to the CS4 version of Photoshop.
This area is a convenient place to access commonly used features and tools. You can also select the Hand tool to view a different area of an image, or the Zoom tool to zoom into or out of an image.
On Windows computers, the Note Application bar may be in a different location. The differences are only cosmetic. This area is context sensitive, meaning that it gives you options for the tool that is currently selected. I find it very helpful. The Options bar is the headquarters for such adjusting. If you select the Brush tool, the text options will disappear, and the Options bar will change to allow you to select different brushes.
The Application frame is essentially just the gray background in Photoshop. This mostly affects Mac users. Previous versions of Photoshop on the Mac had no application background, allowing you to see through to your desktop.
If you are a Mac user and you want your Photoshop to look like it did in previous versions, simply go to the Window menu and deselect Application Frame. On Windows, or now on a Mac with the Application frame visible, you can simply double-click anywhere in the blank gray background to open a file see Figure This is a great shortcut to the other methods of opening a file.
Note that this only works for the first image you open. Customizing One of the best aspects of the Photoshop interface is that you can customize it. But its psychic abilities can go only so far; it really pays to be able to move panels around so that the interface can help you work as efficiently as possible. If the Styles panel is not open, any other panel will make a fine substitute. First, click the tab for the Styles panel, and then drag it to another group of panels.
Closing Unwanted Panels Most of the panels that you see when you first open Photoshop are panels that you will hardly ever use. Why have them cluttering up your precious work area?
Get rid of them! To close panels, simply click the panel fly-out menu see Figure or right-click the name of the panel that is, the tab. In both instances, a menu will pop up. Choose Close from that menu to hide that panel.
Fly-out menus are used to give you additional options for that panel. To restore the panel to the way it was, just double-click it again. They just kind of floated around in space. It was a mess. The panel will now hover over everything else see Figure To hide all open panels, press TAB on your keyboard. Press TAB again to get the panels back. Tip While I prefer the new system of docked panels, I often still find myself floating panels for certain tasks. What happens when you want the floating panel to return to its default behavior as a docked panel?
Simply drag it where you want it to go, just like the way you moved panels earlier in this section. Tip For example, if the tabs in your group are, from left to right, Layers, Channels, Paths, and you want the order to be Channels, Layers, Paths, then drag the tab for the Channels panel to the left so that it comes before the Layers panel. From this menu, you will see a list of all of the panels available to you in Photoshop.
As you can see in Figure , the menu has even more panels than the default workspace would lead you to believe. In the Window menu, when the name of a panel has a checkmark next to it, it indicates that panel is currently open in the interface. Most other Adobe applications have a Window menu that Tip allows you to retrieve panels in the same way. Working with Workspaces If you work in an environment with many other people, perhaps you have experienced the unfortunate occasion of coming back from a vacation, only to find that fellow employees have worked on your machine and messed up your workspace.
Maybe panels have been moved or rearranged, or keyboard shortcuts have been reassigned. Thankfully, Photoshop has the capability to save and access different interface configurations, called workspaces. These are two completely different tasks that use two completely different sets of panels. So, you could create one workspace that has what you need for text editing, and create another workspace that has what you need for painting.
Taking advantage of workspaces in Photoshop may seem inconvenient at first, but it can make you much more efficient. These can be accessed from the drop-down list on the far right end of the Application bar. The default workspace, shown here, is called Essentials. Typically, these workspaces are used for specific workflows. For example, if you select the Painting workspace, the only panels that appear onscreen are panels that you would want for painting, such as the Brushes panel, the Color panel, the Swatches panel, and so on.
But these workspaces can also be helpful in other ways. The Secret Powers of Workspaces Not only can workspaces store information about how you like your panels laid out and which ones you want visible or hidden, but also panels can store customized menu settings and keyboard shortcuts. If you go to the Edit menu, you can choose either Keyboard Shortcuts or Menus. If you select Keyboard Shortcuts, a dialog box will pop up allowing you to customize keyboard shortcuts. If you find yourself constantly using a particular function in Photoshop, in most cases you can create a keyboard shortcut for it.
You can also change the keyboard shortcut if one already exists for it. If you select Edit Menus, you will have two main choices to customize menus. You can click the eye icon next to a menu item in a given menu to hide that option. Few if any users of Photoshop use every function and command. You can also customize menu items by making them a different color so that they stand out.
That way, when you open a menu, your eye will instantly be drawn to the functions that you use most. Or, if you wear several hats perhaps you create paintings, edit photos, and then post them to a web site , you can color menu items based on different workflows. The menu items you use for painting might be yellow, menu items you use for editing photos might be red, and so on.
Workspaces let you save panel locations, keyboard shortcuts, and menus. You can pick and choose which are saved in your workspace. You will get a simple dialog box asking both the name of your new workspace and which components of the workspace for example, panel locations, menus, keyboard shortcuts you wish to save as part of the workspace.
Once you click OK, your custom workspace will show up in the Workspace drop-down list with all of the others. This is even more critical to your workflow than getting acquainted with interface elements.
Even if you already know a thing or two about Photoshop, the next few sections will cover impressive new features and some lifesaving shortcuts. Opening Documents First, we need to bring an image into Photoshop. In Photoshop, the terms are essentially synonymous. As with several commands in Photoshop, you have many ways to do the same thing.
This can Note be intimidating at first because it seems overwhelming to learn everything. You only need to learn and use the way that you like best. To open a file, choose File Open. For this chapter, you can open one of your own images, or just follow along. Similar to what you might find in your web browser when you have multiple web pages open in the same window, Photoshop groups documents into tabs when more than one file is open at a time: To cycle through open documents, use the keyboard shortcut CTRL-TAB for both platforms.
Then, while still holding those keys, simply click anywhere on the image to zoom into that area. As before, click with those keys held down to zoom out. Another way to think of this is that it moves the camera, not the actor.
But the current version of Photoshop has actually added a little improvement. This will cause your image to zoom in until you release the mouse button. The Magic of Navigating with Keyboard Shortcuts The really cool thing about navigating documents with the keyboard shortcuts just mentioned is that they toggle only navigational tools. Using any other navigation method, you would need to move your cursor to change the view of the document, and perhaps go back and select the Brush tool again after that.
Who has the time and patience to do that? The Navigator Panel The Navigator panel is another way that you can navigate documents see Figure As you drag the slider at the bottom of the Navigator panel to the right, you zoom into the image. Dragging to the left zooms back out. Once you zoom in, a little red rectangle on the image preview in the Navigator panel appears, representing the portion of the image you are now seeing in the main document window.
You can drag that rectangle around to see different portions of your image, which is similar to what you saw previously with the Hand tool. As with all other panels in Photoshop, if the Navigator panel is not visible, you can select it Tip from the Window menu at the top of the interface to reveal it in all of its navigational glory.
Tools Instead of using keyboard shortcuts to toggle navigational tools, you can select them from the Tools panel on the left side of the interface. You can select the Zoom tool which looks like a magnifying glass, shown next to zoom in and out.
To change the view of your image, you can select the Hand tool in the Tools panel, right above the Zoom tool. Once you select the tool, simply drag your image around to change your view. The Application Bar Mentioned briefly earlier in this chapter, the Application bar is a new feature that provides quick access to commonly used tools. This is used for temporarily rotating your image. As with the Hand tool, this only changes your view, not the image itself. In previous versions of Photoshop, you might find enclosed in the package a sheet listing all shortcuts.
But this list is absent from recent versions. A few versions ago, Photoshop introduced the ability to customize keyboard shortcuts. Instructions on how to do that were provided earlier in this chapter. However, by going to Edit Keyboard Shortcuts, you can get a list of all keyboard shortcuts in addition to customizing them. Be aware that not all keyboard shortcuts will be on this list.
The bulk of our study in this chapter will be about layers. Layers are perhaps the most critical element of Photoshop and can greatly increase your efficiency and the quality of your final product. Your ability to use Photoshop well will largely depend upon your ability to use layers well.
I usually like to start my projects, especially artistic projects, with a brand-new document. This way I can ensure that my document is set up to the correct specs for output.
If you start with an existing project that is too small, it might be impossible later to make it large enough to print. At first this dialog box can be intimidating as you glance around at all the empty fields. And Photoshop also has your back. Photoshop understands that this is a little overwhelming to new users. It also knows that even if you are a total pro and know exactly what you should put in every field, it gets tedious filling out all this technical info. These presets are nicely arranged into a variety of categories based on different workflows.
Figure shows the drop- down list of presets. People in the video world, web graphic designers, print graphic designers, those who create content for mobile phones and portable devices, those in the film industry, photographers, and many more use Photoshop on a daily basis.
And for each of them, Photoshop has document presets ready to get them started. Each preset also has a variety of sizes to choose from that are common to that medium or industry. For example, if you were to select the Web preset and then click the Size drop-down list, you would be presented with most common computer screen resolutions, as well as some sizes useful for web graphics.
You can change the unit of measurement to a variety of units. The default unit of measurement in Tip the United States is inches. For web and video documents, inches are irrelevant. The Truth about Resolution The term resolution is tossed around a lot these days. It is quite possible to have an image that is high resolution, but is still low quality.
What Are Pixels? When Photoshop refers to resolution, it refers to how many pixels are in a given area. So, before we understand resolution, we need to learn a little about pixels. Name Your Stuff! Better to accept the fact that naming files and layers is just a part of life, and name your Photoshop documents. The fewer pixels in a given area like images. When there are more pixels in an image, they will be smaller and less conspicuous, and the resolution will be higher.
Resolution on a computer screen is expressed in pixels per inch ppi. This is because computer monitors have pixels. Printers and scanners often print and scan using dots or lines. When we refer to the resolution of these and other such devices, we use the terms dpi dots per inch and lpi lines per inch. People often mistakenly use the terms dpi and lpi when referring to computer files, even though computer screens have neither dots nor inches.
However, most monitor specs read in terms of pixel dimensions, not dot dimensions. The Bottom Line per Inch You must keep in mind resolution when you are creating your documents in Photoshop. Just because you tell Photoshop that you want to create a document that is 8.
How many pixels are in those inches? For onscreen graphics and images, or for images intended for video or 3D programs, 72 ppi is the standard, because that is the resolution of computer monitors and TV screens.
Printed documents require smaller pixels to look clean, so the standard is usually about ppi. Even though ppi is a fairly common standard, you should never assume anything. I once designed a CD cover for an independent punk band, and I assumed that ppi would be fine. However, their CD production house recommended I create the art at ppi— twice the resolution that I was planning on.
When asking your printing agency about resolution, be sure that you get the resolution for your Tip computer document, not the resolution of their printer. The first person you ask about this may not know the correct answer. What they might be tempted to tell you is the resolution of their printer, which may be something like lpi. In most cases, this does not translate to document resolution.
Document Color The rest of the fields used to create a basic document pertain to color. As such, you should use this color mode when using Photoshop to create images for 3D programs, video games, motion graphics, web graphics, or anything that will have its final output on a computer monitor or TV screen. Use this color model for most jobs that will be commercially printed.
Color Depth This is a huge can of worms. Until you get more proficient at Photoshop, leave this setting at 8 bit.
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Adobe Flash formerly Macromedia Flash and FutureSplash is a multimedia software platform used for production of animationsrich web creedesktop applicationsfrse appsmobile gamesand embedded web browser video players.
Flash displays text, vector graphicsand raster graphics to provide animations, video games, and applications. It allows streaming of audio and videoand can capture mouse, keyboard, microphone, and camera input. End users view Flash content via Flash Player for web browsersAdobe AIR for desktop or mobile appsor third-party players such as Scaleform for video games. The ActionScript programming language allows the development of interactive animations, video games, web applications, desktop applications, and mobile applications.
Flash was initially used to create fully-interactive websites, but wrror approach was phased out with the introduction of HTML5. Instead, Flash found a niche as adobbe dominant platform for online multimedia content, particularly for browser games. Following an open letter written by Steve Jobs in stating that he would not approve the use of Flash on their iOS devices due to numerous security flaws, use of Flash declined as Adobe adobw to the Adobe Air platform.
The Flash Player was deprecated in and officially discontinued at the end of for all users outside China, as well as non-enterprise users,  with many web browsers and operating systems scheduled to remove the Flash Player software around the same time.
In the early s, Flash was widely installed on desktop computersand was often used to display illustraor web pages and online gamesand freee adobe illustrator cs4 error 148 3 free video and audio content. Between andnumerous businesses used Flash-based eerror to launch new products, or to create interactive company portals. After Flash 5 introduced ActionScript indevelopers combined the visual and programming capabilities of 18 to produce interactive experiences and applications for the Web.
InMacromedia Flex was released, and specifically targeted the application development market. Between andthe Speedtest. Developers could create Flash web applications and rich web applications in ActionScript 3.
Flash ca4 games were popular on the Internet, with portals like NewgroundsKongregateand Armor Games dedicated to hosting Flash-based games. Many Flash adoge were developed by individuals or groups of friends due to the simplicity of the software. Scaleform is supported by more than 10 major adobe illustrator cs4 error 148 3 free game engines including Unreal Engine and UDKCryEngineand PhyreEngineand has been used to provide 3D interfaces for more than major edror game titles since its launch in As the Internet became more popular, FutureWave realized the potential for a vector-based web animation tool that might challenge Macromedia Shockwave technology.
FutureWave approached Adobe Systems with an offer to sell them Посетить страницу inbut Adobe turned down the offer at that time. Flash was a two-part system, a graphics and animation editor known as Macromedia Flash, and a player known as Macromedia Flash Player.
FutureSplash Animator was an animation tool originally developed for pen-based computing devices. Due to the small size of the FutureSplash Viewerit was particularly suited for download on the Web.
Macromedia distributed Flash Player as a free browser plugin in order to quickly gain market share. Macromedia upgraded the Flash system between and adding MovieClips, Actions the precursor to ActionScriptAlpha transparency, and other features.
As Flash matured, Macromedia’s focus shifted from marketing it as a graphics and media tool to promoting it as a Web application platform, adding scripting and data access capabilities to the player while attempting to retain its small footprint. Inilpustrator first major version of ActionScript was developed, and egror with Flash 5. Actionscript 2. The last version of Flash released by Macromedia was Flash 8which focused on graphical upgrades such as filters blur, drop shadow, etc.
It introduced the ActionScript 3. Adobe Flex Builder built on Eclipse targeted the enterprise application development market, and was also http://replace.me/16897.txt the same year. Flash 10 improved animation capabilities within the Flash editor, adding a motion editor panel similar to Adobe After Effectsinverse kinematics bonesbasic 3D object animation, object-based animation, and other text and graphics features.
Flash Player 10 included an in-built 3D engine without GPU acceleration that allowed basic object transformations in 3D space position, rotation, scaling. With AIR, developers could access the file system the user’s files and foldersand connected devices such as a joystick, gamepad, and sensors for the first time.
In MayAdobe announced that Adobe AIR fere used in overunique applications and had over 1 egror installations logged worldwide. Adobe has taken steps to reduce or eliminate Flash licensing costs. For instance, the SWF file format documentation is provided free of charge  after they relaxed the requirement of accepting a non-disclosure agreement to view it in Adobe has not been willing to make complete source code of the Flash Player available for free software development and even though free and open source alternatives such as Shumway and Gnash have kllustrator built, they are no longer under active development.
On May 1,Adobe announced the Open Screen Projectwith the intent of providing a consistent application interface across devices such as personal computers, mobile devicesand consumer electronics. One of Flash’s primary uses on the Internet when it was fdee released was for building fully immersive, interactive websites. These were typically highly creative site designs that provided more flexibility over what the current HTML standards could provide as well as operate over dial-up connections.
Fully Flash-run adobe illustrator cs4 error 148 3 free fell out of favor for по этой ссылке strategic use of Flash plugins for video and other interactive features among standard HTML conventions, corresponding with the availability of HTML features like cascading style-sheets in the adobe illustrator cs4 error 148 3 free.
Fifteen years later, WAP adobe illustrator cs4 error 148 3 free largely been replaced by full-capability implementations and the HTML5 standard included more support for interactive and video elements. Support for Flash in these mobile browsers illjstrator not included. InApple ‘s Steve Jobs famously wrote Thoughts on Flashan open letter to Adobe criticizing the adobe illustrator cs4 error 148 3 free nature of illustrrator Flash platform and the inherent security problems with the application to explain why Flash was not supported on iOS.
While Adobe eventually won, allowing for other third-party development environments to get access to the iOS, Apple’s decision to block Flash itself was considered the “death blow” to the Flash application. In sdobe, Adobe ended support for Flash on Android.
With Flash’s EOL announced, many browsers took steps to gradually restrict Flash по этому адресу caution users before launching it, eventually blocking all content without an option to play адрес страницы. By Januaryall major browsers were blocking all Приведенная ссылка content unconditionally.
Only IE11niche browser forks, and some browsers built for China plan to continue support. Furthermore, excluding the China variant of Flash, Flash execution frse has a built-in kill switch which prevents it from playing Flash after January 12, Adobe Flash will still be supported in China and worldwide on some specialized enterprise platforms beyond As early aseror the same time that Adobe axobe encouraging Flash developers cw4 transition their works to HTML5 standards, others began efforts adobe illustrator cs4 error 148 3 free preserve existing Flash content through emulation of Flash in open standards.
While some Flash applications were utilitarian, several applications had been shown to be experimental art, while others had laid the foundation of the independent video game development. Google had developed adobe illustrator cs4 error 148 3 free Swiffy application, released inперейти convert Flash applications to HTML5-compatible scripts for viewing on mobile devices, but it was shut down in Closer to Flash’s EOL date inthere were more concentrated efforts simply to preserve existing Flash applications, including websites, video games, and animations beyond Flash’s EOL.
Flash source files are in illusrtator FLA format and contain graphics and animation, as well as embedded assets such as bitmap images, audio files, and FLV video files. The Flash source file format was a proprietary format and Adobe Animate and Adobe Flash Pro were the only available authoring tools capable of editing such files. Flash source files. Note that FLA files can be edited, but output. Flash Video files [spec 1] have a.
The use of vector graphics combined with program code allows Flash files to be smaller—and thus allows streams to use less bandwidth —than the corresponding bitmaps adobe illustrator cs4 error 148 3 free video clips. Просто default x folder free download таких content in freee single format such as just ds4, video, or audioother alternatives may illuwtrator better performance and consume less CPU power than the corresponding Flash movie, for example, when using transparency or making large screen updates such as photographic or text fades.
In addition to a vector-rendering engine, the Flash Player includes a virtual machine called the ActionScript Virtual Machine AVM for scripting interactivity at run-time, with video, MP3-based audio, and bitmap graphics. Virtually all browser plugins for video are free of charge and cross-platform, including Adobe’s offering of Flash Video, which was introduced with Flash version 6. Flash Video had been a popular choice for websites due to the large installed user base and programmability of Flash.
In продолжение здесь, Apple publicly criticized Adobe Flash, including its implementation of video playback for not адрес страницы advantage of hardware acceleration, one reason Flash was not to be found on Apple’s mobile devices.
Soon after Apple’s criticism, Adobe demoed and released a beta version of Flash Flash Flash Player supports two distinct modes of video playback, and daobe accelerated как сообщается здесь decoding may not be used for older video content. Such content causes excessive CPU usage compared to comparable content played with other players. Flash allows sample rates of 11, 22 and Adobe Flash Drror Flash Player Flash programs use ActionScript programming language.
Macromedia made the Flash Files specifications for errkr 6 and fere available only under a non-disclosure agreementbut ffree are widely available from various sites. In Aprilthe Flash SWF file format specification illustratlr released with details on the then newest version format Flash 8.
Although still lacking specific information on the incorporated video compression formats On2, Sorenson Spark, etc. The file format specification document is offered only to developers who agree to a license agreement that permits them to use the specifications only to develop programs that can export to the Flash file format. The license does not allow the use of the specifications to create programs that can be used for playback of Flash files. The Flash 9 specification was made available under similar restrictions.
Previously, developers could not use the specification for making SWF-compatible players, but only for making SWF-exporting authoring software. The specification adobee omits information on codecs such as Sorenson Cw4however. The Adobe Animate authoring program is primarily used to design graphics and animation and publish the same for websites, web applications, and video games. The program also offers limited adobe illustrator cs4 error 148 3 free for audio and video embedding and ActionScript scripting.
Adobe released Adobe LiveMotiondesigned to create interactive animation content and export it to a variety of formats, including SWF. LiveMotion failed to gain any notable user base. In FebruaryMacromedia purchased Presedia, which had developed a Flash authoring tool that automatically converted PowerPoint files into Flash. Macromedia subsequently released the rrror product as Breeze, which included many illustrattor enhancements.
Various free and commercial software packages can output animations into the Flash SWF format including:. The Flash 4 Linux project was an initiative adobe illustrator cs4 error 148 3 free develop an open source Linux application as an alternative to Adobe Animate. Development plans included authoring capacity for 2D animation, and tweeningas well as outputting SWF file formats. UIRA intended to combine the resources and knowledge of the F4L project and the Qflash project, both of which were Узнать больше Source applications that aimed to provide an alternative to the proprietary Adobe Flash.
Adobe provides a series of tools to develop software applications and video games for Flash:. Third-party development tools have been created to assist developers in creating software applications and video games with Flash. Adobe Flash Player is the multimedia and application player originally developed by Macromedia and illustraator by Adobe Systems.