Manuale pinnacle studio 17 ultimate italiano free. Pinnacle Studio 12 User Manual
It easily converts among image sizes and even between video frame rates — example: I just burned a 25 FPS, line DVD to send to Australia, from video shot and edited at the US standard of It went off without a hitch — though motion is a bit jerky.
For a smooth conversion, I use Gooder Video MotionPerfect , which is slow, but does amazing time interpolation. The upgrade from version 15 is inexpensive; version 16 can read files created in earlier versions, a major advantage when upgrading.
You must select “import previous Pinnacle Studio projects” rather than attempting simply to open them. All versions can render video during editing of a project, so composited segments picture in picture, pan and zoom, transitions, etc.
The Ultimate version of v. There are very good piano, electric guitar, Hammond organ, pizzicato string and drum kit sounds. Wind and bowed string instruments don’t sound as realistic — so, all in all, if you choose a selection which uses rock band instrumentation, it will sound realistic.
The music is automatically edited to fit the length of time you select for it. Rendering of music selections to fit different lengths can be painfully slow in version 15; it is much faster in Avid Studio and version Additional selections may be purchased. The Library feature in Pinnacle version 16 makes it easier to access resources stored on the computer, so you don’t have to make your way among irrelevant files and folders in the computer’s directory structure.
The ability to apply effects to clips in the Library avoids having to do it over and over again in each new project. You must import files into a Library in order for them to be usable in Pinnacle Studio Having done this, you can then create “collections” which can span across different folders and storage media.
This feature which lets you quickly access all the media which you are using in a project. The Library is dependent on the actual file locations on the computer. If you move them, it will lose them, though you can relink to them in their new locations. About preserving the Library when reinstalling Pinnacle, or Windows, or moving the installation to another computer, see further information under “Storage Locations” below.
Version 16 has a useful “navigator”, a miniaturized version of the timeline, which can be added above the timeline. The “navigator” indicates the position of the playback head and the part of the timeline which is visible onscreen. That onscreen segment can be broadened, narrowed and moved by clicking and dragging in the “navigator” or by grabbling the ends of the timeline This is a real improvement over the Windows scroll bar in version 15, and eliminates the need to collapse the timeline to get the big picture of the project.
Version 15 does not allow clips to be inserted after empty time at the end of the last clip in a project, so it is necessary to extend the last clip or insert a dummy clip. Similarly, version 15 does not allow the first clip to be dragged away from the start. In version 16, it is even possible to drag the start of the first clip to the left, off the timeline, to extend it, effectively moving all others later in time.
This feature makes it easier, for example, to insert a title at the beginning of a project. However, not all is a bed of roses. I had some serious issues with Avid Studio. Some have been fixed, though many remain in Pinnacle Studio 16, and a few new ones have cropped up. Registering Pinnacle Studio 16 is can be confusing.
Access to support registration is only by clicking on the “to submit a technical question” line in the registration e-mail.
Avid Studio and Pinnacle Studio 16 claim to need a screen at least x but it will run on a smaller screen. My primary work screen is x and I have a second, viewing screen which is x Video playback can be moved to the second screen. Turning the primary monitor to portrait orientation can make it display the work screen better, especially when looking through a Library. When you have used an optional effects plugin such as Red Giant in a project, be sure to install the plugin if you are reinstalling Pinnacle or installing it on a different system.
If you don’t, the effects will not work and other things as well can go wrong. When setting up Pinnacle Studio 16, you need to be careful how you import files. Following installation, Pinnacle 16 may copy all of your video files onto your computer’s C: drive. That will take a very long time and can overflow the drive if you have much video.
Be sure to select “link” instead unless you are importing from external media — tape, memory chip, DVD. Then you will usually want to copy the content onto a hard drive. If the data is already stored on a hard drive on your computer, you usually will not want to copy it. An exception would be to copy from an external hard drive which you use only for archiving.
Be careful not so have “delete original file” selected, if you only want to copy a file or link to it. It is better not to keep large video files on your boot drive. Use another hard drive for that data. I changed “copy” to “link” in the Import dialog box, and directed the Library function to access the folders where I keep files for my first project.
I had to install activation keys to view and use files encoded with h. These files all appeared with a lock icon and a play arrow, and I didn’t see how to get the key to unlock the files until I clicked on the icon to play one of the the files which wouldn’t play.
I was then informed that I had to purchase a key, but the key installed for free. If a key is free, what is the point?
Maybe it’s to assure that they are being unlocked only by people who have purchased the software legally and registered it? Installation of activation keys is accessed in the Help menu rather than the Control Panel.
This is not exactly an example of the best user interface management, but oh well, OK, it worked. Now, more about that user interface Pinnacle Studio 16 manual and help are clearly written for what they do cover, but it’s often hard to find what you need in them, due to commands which are accessed with wordless icons, and the lack of synonyms in the manual and help index. To understand Pinnacle Studio 16, you will have to review the tutorials online, or Jeff Naylor’s book — or else you will become frustrated hunting around to find functions.
The manual and the help don’t provide an easy way into many important topics. I’ll grant that the user interface is better than that of Final Cut Pro 7 on the Mac, which can best be described as a quagmire. Help index entries for several common words describing each function would be nice, but why should I have to look up common functions in the Help at all? Menus or labeled buttons would give me words that are either self-evident, or that I could look up in the Help or the manual.
Sometimes the Help will describe a function but not how to access it. Example: “To create a new Collection, click the icon in the header line of the Collections branch” Where is the Collections branch? No info on that. Icons, and functions accessed only by clicking here or there onscreen, can require hunting expeditions if you don’t also have a way to access the same function through a menu.
Online tutorials in the copy of version The automatic update to version Pinnacle Studio up through version 15 uses icons to illustrate and enable transitions. Clicking on the Transitions icon in orange in the mercifully short column near the upper left of the screen shot below displays transitions in the two-dimensional table shown. The blue and orange display at the upper right is animated and cycles repeatedly between A in blue and B in orange to show how each transition works.
Dragging one of the icons to the timeline inserts it. In the lower half of the screen, you can see the icons for a number of dissolves which have been inserted between clips. Icons which are merely symbolic, on the other hand, leave me cold. The “desktop” analogy on a computer screen doesn’t do much for me if the items on the desktop are unfamiliar, unlabeled and strewn around the screen. Learning the meaning of the icons is like learning to read Chinese, and there are many of these in Pinnacle Studio There are tooltips — text which appears when you hover the mouse pointer over an icon, and that can help if the tooltip is descriptive, but on the other hand it is often necessary to look up a function in Naylor’s book to identify and locate the icon.
Most effects are organized through the Effects Editor, which opens by right-clicking on a clip, or by double-clicking and selecting “Effects Editor” from a context menu. Effects are a basic feature, but a hidden feature. No icon or menu item opens the Effects Editor. Let’s take as an example my hunt for the Pan and Zoom function. The Effects Editor uses its own image display, in an applet which overlays the main display screen. The display occupies much of the screen space in the Effects Editor, even when you are only selecting an effect.
As a result, there is only a single line of icons for effects — unlike the two-dimensional table of Transitions in Pinnacle Studio. The categories are not entirely logical: what is the meaning of a “camera” effect?
Well, it is one that a camera might create, even though it is being created here in software. You must scroll past some rather exotic effects to reach more important ones. The image below highlights Pan and Zoom second from the right in the line near the top , but it is off the screen at first, and to get to it you must first know that it is categorized as a Camera effect, then scroll past 12 effects including bread-and butter ones like Earthquake, Old Film and Noise.
Please excuse sarcasm. To get to this feature, I learned in a tutorial, you need to go into the Effects Editor, then to 2D-3D, then scroll to the right — this function is off the screen until you scroll. This is the only picture-in-picture effect whose name is intuitive. There are four others, with somewhat different lists of parameters.
I suspect that the redundancy results from the need to achieve compatibility with more than one legacy application. Studio PiP is the worst of these effects, the only one which requires you to set the height and width of the embedded image separately. I have published another article with a table comparing the features of the picture-in-picture effects. I recommend checking out all of the conventional effects to see what they do.
Not all have descriptive names. The Red Giant effect 3D Stroke, for example, lets you draw a circle or ellipse to draw attention to a part of the image. Once you have brought up an effect, the interface is different from the one in Pinnacle v. The Effects Editor offers a well-integrated set of parameters for each effect the list next to the top right corner of the image display, above , and these are easier to access than in version.
In version 16, though, numerical display and entry of parameters is in a very small typeface; and most annoyingly, the Effects Editor won’t let you scroll from one clip to the next.
To get to the next clip, you have to close the Effects Editor and reopen it. There may possibly be a way to do this, but it is not obvious In version 15, on the other hand, you select an effect — Pan and Zoom, Color Correction, Picture in Picture — and then you can continue to use and adjust it in a sequence of clips in which it has been activated.
This makes it easier to match clips to one another. In version Studio 16, there is a way though to save parameters from one clip to apply to another, but it isn’t very intuitive. It involves clicking on the pink line which appears at the top of a clip which uses an effect.
I’ll say more about it when I figure it out. It is also possible to copy and paste keyframes in the Effects Editor. Version 15’s “Grab Video Frame” applet is straightforward and opens from a menu item, but in Avid, this function is hard to find.
There’s no top menu leading to this function, and no entry in the Help index for “freeze” or “frame” or “grab” or “still”. The “snapshot” function in the Avid version was only under the Corrections tab in the Effects Editor, even though creating a Snapshot doesn’t change anything in the original clip. Don’t ask me to explain this! Pinnacle v. A still image may also be created by dragging the beginning or end of a clip past the start or finish of the original video take. Once I knew what to call this function, I found information in the Help and the manual about grabbing a snapshot from a source clip.
The snapshot from the camera icon saves automatically in Pinnacle Studio 16 and copies the exact image which appears at the playback head. If you are still using Avid Studio or if you want to make use of special effects, follow the steps listed below and indicated in the image following the list.
Unlike the “Grab Video Frame” command in Pinnacle version 15 or the timeline function in version 16, “Snapshot” in the Effects Editor extracts a still image from the video clip which you have opened — not from the Timeline.
That is useful if it is what you want, but if you want to create a still of a composed image such as a picture in picture, this is much easier to in either version of Pinnacle Studio than in Avid Studio, where you would have to recompose the image, copy it from an exported file or maybe from a “subproject” — a feature I haven’t explored yet. The snapshot functions in the Effects Editor have their own Pan and Zoom commands, but I avoid these because they do not integrate with the ones used for video clips and in the timeline.
Between keyframes or start and end locations, the Pan and Zoom function in the Snapshot dialog box in Avid Studio generates curves which reveal areas outside area of the start and end frames or keyframe locations. This can bring black borders or video from underlying tracks into your image.
Worse than that, the same parameters do not give you the same results for two consecutive keyframes. I wanted to zoom in on an image and then hold it at the same size. I was unable to do this by using the same settings for the second-to-last and last keyframes. I haven’t checked yet whether the same issues occur in Pinnacle Studio v.
Once I have inserted a still image into the timeline, then I can used the integrated pan and zoom command, making it possible, for example, to match a freeze-frame to the video clip from which it was taken.
The “Snapshot” example is too typical. Explanations in the help and the manual often say to click on an icon without showing it. Commands are strewn around the screen; in many cases, the next step is not obvious.
Many of the help screens have no graphics to show the icons, or to indicate where to click. Pinnacle version. I was able to make progress even when this happened, because of the priceless feature of resuming editing after a crash. If Avid Studio, and its successor, Pinnacle Studio v. In Pinnacle v.
In Avid, and Pinnacle v. A G clef could have any of a number of meanings. Again, you need to know the right words “Scorefitter”, “Audio Creation tools” to look up the help on this topic — “Music” doesn’t get you there –, though in this case, the icon is shown in the Help. The lookups shouldn’t be necessary. The actual clicking and dragging is easier to use, once you have figured it out. This is an improvement, because it avoids the need to readjust parameters if those of the previous keyframe have been changed.
There are some odd, obsolete or off-topic items in the manual’s glossary in Avid, and in Pinnacle v. A non-interlaced image most computer monitors flickers much less than an interlaced image most TVs. The manual needs a complete rewrite.
I record voice-over narration while editing, usually one sentence at a time, and I often have to re-record a sentence several times before I get it right. I like to have controls which speed this process. Oddly enough, Pinnacle Studio v. Step by step:. The recording dialog box stays open. Probably because, as with the Effects Editor, the recording function is an applet in its own dialog box rather than working directly in the timeline.
One thing about voice-over recording that is better than in Pinnacle v. This makes it easier to start speaking just as recording begins.
In all versions, recording is delayed, resulting in silence at the start of a clip which must often be deleted in order to avoid unnaturally long gaps between clips. You must also wait a moment to stop recording after you have finished talking, or else the end of your voice-over will be clipped off. Recording will overwrite and delete the start of the next clip, but you can drag the start of that clip to recover it.
This is an important reason to upgrade from Avid — whose overwrite mode doesn’t work for voice-overs. If you insert a new voice-over ahead of others, they all are pushed to later times. You can prevent the later clips from being moved in time by dragging them to a different track before your record ahead of them. But if you forget to do one of these workarounds, every clip later in your voice-over track will have moved.
In both Pinnacle versions and in Avid, voice-overs post promptly. In the supposedly very fast Cyberlink PowerDirector, by way of contrast, even the shortest voice-over takes 10 seconds to post on my Intel i5 machine. This behavior makes for very slow work. PowerDirector would be a topic for another article if I hadn’t given up on it in exasperation.
In Avid, I had trouble locating this feature. The same can happen after you upgrade from Pinnacle v. I opened the effects dialog box and didn’t find any way to use keyframes in an audio clip. Another hunt through the help The same operations can also be accomplished with the Audio Mixer panel, which pops out to the right of the timeline header when you click its access button.
The location or appearance of neither the icon nor the button is shown in the Help. After a bit of a search, I found them. The audio mixer button is the one with a little bar graph, above the left end of the timeline.
Audio keyframing is the button with the zigzag line, near the right end. So, audio keyframing is accessed differently from video keyframing, and maybe that’s necessary but it is unnecessarily confusing. The mixer uses rotary controls, imitation knobs. Knobs are great to turn with fingers. Sliders are much easier to work with the mouse.
But actually, the rotary knobs work like sliders if you mouse across the tops of them. Even with volume keyframing turned on, the knob which is labeled “adjust volume at the current location in this clip” adjusts volume for the entire clip.
You have to click and release on the audio track to create a keyframe. Then you can drag to increase or decrease the volume. Actually, clicking first is better — it avoids creating unwanted volume handles, but still, this example shows how minor changes in the interface can lead to annoyance.
These need to be robustly documented. Users can upload their media directly to the most known social media sites, including Facebook, YouTube, Vimeo , and more. Video quality is also customizable ranging from p to p. An additional function is their GIF creation function. We’ve seen this included in more recent editing software, but it allows users to create GIFs of your project to be used online.
Pinnacle Studio 25 creates a complete experience for all editors, regardless of their current skill level. The available effects allow you to create projects of high quality. Also, with an easy-to-use interface, learning how to navigate the tool takes minimal time.
As functionality improves, we expect Pinnacle Studio to be a top editing software of choice. Users looking to make a change can benefit from using Pinnacle Studio, which is a fraction of the price of the big players in the market. With the day money-back guarantee, there’s no investment risk to try it out. Fun to work with, frustrating to end with an out of sync DVD.
I found that I couldn’t record from an analogue camera without losing frames. At each frame of video lost, the sound went out of sync. It maintained sync during the editing but lost it completely going to DVD.
For that reason only, I could not use it. As a professional Sound Editor, even a frame out of sync made me give up on the system ‘tho I had enjoyed all it features. Pros: Has all the features an editor could want.
Cons: Missing was the ability to load analogue material without dropping frames. Possibly my computer’s fault.
I’ve been using this ever since I learned video editing because of Pinnacle. Easy to use I was able to understand video editing because of Pinnacle when I started learning through Pinnacle 9. Learned a lot on how to make a video with a Professional result. I have my You Tube Tube account rcq and all of those uploaded videos were made up of Pinnacle Studio. All I could say that Pinnacle is the Best!!! Pros: The latest transitions that provides professional result. Removing sound from the original movie and apply it to my video clips.
Cons: nothing is missing!!! Don’t buy, if you think you are not ready to upgrade it, and pay more. The software has a functionality that I have not found by far in any soft ware that I have bought. It is not a nice one: the software stops working after it receives signal that is no longer supported by Corel company. After that the software is totally worthless. Asking help from Corel helps nothing: they tell: the product is no longer supported, buy a new one, although you would have done well the version that you had bought.
Por selection in choices, especially in the special effects. Just wish the selections weren’t so lim ited.
Cons: Better slections in special effects, and decent customer service More. Customer Service and Customer Support is soooo lacking in being user friendly. A user has to fumble through teac hing themselves. What a crock Corel has a-l-w-a-y-s been nasty to deal with. Pros: A creative person or artist can run wild Cons: There could be better selections in special effects, Laws concerning the use of this software vary from country to country.
We do not encourage or condone the use of this program if it is in violation of these laws.
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Thank you for purchasing Pinnacle Studio. We hope you enjoy using the software. In order to ensure that your movie-making experience gets off on the right foot, please review the topics below before continuing to Chapter 1: Using Pinnacle Studio. Abbreviations and conventions This подробнее на этой странице uses the following conventions to help organize the этим download azar for pc windows 10 закладки. LINK interfaces, ports and cables.
Buttons, menus, dialog boxes and windows Names of buttons, menus and related items are written in italics to distinguish them from the surrounding text, whereas window and dialog names are written with initial capital letters. For example: Click the Edit menu button to open pinnaccle menu manuale pinnacle studio 17 ultimate italiano free the Menu Editor. Depending where you click, a context menu may pertain either to an editable object like a clip on an editing timelineto a window, or to a zone such as a control panel.
Once open, context menus behave just like the ones on the main menu bar. Context menus are available in most parts of the Pinnacle Studio interface. Our documentation uotimate takes for granted that you know how to open and use them. Mouse clicks When a mouse click is required, manuald default is always a left-click unless otherwise specified, or unless the click is pinancle open a context menu: Right-click and select Title Editor.
A plus sign denotes a key combination. Please refer to Appendix D: Keyboard shortcuts for a comprehensive table of available shortcuts. The manuale pinnacle studio 17 ultimate italiano free steps apply to any type of production, from an unpretentious slideshow with dissolves between each frame to a 3D extravaganza amnesia free pc full game hundreds of carefullyarranged clips and effects.
The Importer Import, on the left, is a preparatory step. The Pinnacle Studio Importer provides tools for these tasks, along with a Snapshot feature for grabbing frames fee video files, and a Stop motion tool for building up video frame-by-frame. See Chapter The Importer for details. Manulae menu import читать полностью Choosing Import from mannuale file menu has the same effect as clicking the Import tab: it opens the Importer.
The menu provides three other import-related choices as well. Each Chapter 1: Using Pinnacle Studio 1 Page 14 of these opens a Windows file dialog to permit import of files from a hard drive or other local storage. The Exporter At the other end of the movie-making process is Export.
By the time you get to this stage, the hard part of the task is behind you. The creative energy that went into making your movie has paid off in a production that now lacks only one ingredient — an audience.
The Pinnacle Studio Exporter helps you over that last hurdle with tools for taking your movie to its viewers, whoever and wherever they might be.
Create a digital movie file in pinnacl format of your choice, burn a DVD, or upload directly to destinations in the Cloud like YouTube and Vimeo, or to manuale pinnacle studio 17 ultimate italiano free personal Cloud-based itaiano area in Box. Turn to Chapter The Italianp to learn more. Preparing to create a video file in the Exporter. The central tabs The three central tabs, Library, Movie and Disc, are where most of your work in Pinnacle Studio takes place.
The other tabs open the two project editors, one for digital movies, and the other for disc projects, which are digital movies enhanced with interactivity in the form of DVD menus. The Library The Library is a cataloguing and management tool for all the filebased resources — or assets — that you can draw on when ita,iano. Almost all of the materials of your movie — video footage, music and audio files, and many specialized resources such as transitions and effects manualw originate as assets in the Library.
The Library uses watchfolders for keeping up automatically with the changing population of media files on your system. On the watchfolders page of the Pinnacle Studio Setup control panel, enter the names of your media directories, especially those that you update frequently.
Thereafter the Library will scan those directories regularly for changes, and update itself as needed. Manuale pinnacle studio 17 ultimate italiano free view: When you click the Library tab, the Library takes over the main window.
The primary purpose of the compact view is to allow assets to be brought into a movie or disc project from the Library by drag-and-drop. The main view of the Library consists of manuale pinnacle studio 17 ultimate italiano free controls for exploring the catalog structure left and a browser for examining and selecting assets right. When used from the main view of italkano Library, the Player opens in a separate window. When the compact Library is used, an embedded version of the Player appears in the same window.
Previewing a Library video asset in the resizable Player window, with full manuale pinnacle studio 17 ultimate italiano free controls including a shuttle wheel. You can work in the main window while the pop-up Player is open. For comprehensive coverage of the Library and its manuake, please see Chapter 2: The Library.
The next step The next step, once you know your way around the Library and have made any changes needed to the default manuale pinnacle studio 17 ultimate italiano free, is to start creating itaaliano movie. There are two ways to go about this. The usual way: If you want to exert detailed control over the way media assets are used in your production, you will usually start building your movie or disc project from scratch in one of the two project editors.
These are described below. The easiest way: For ultra-quick results, the Library offers another way. Clicking the SmartSlide or Pinnqcle tools at the bottom of the Library main view opens an extra tray of controls. With either of Chapter 1: Using Pinnacle Studio 5 Page адрес these you select some visual media assets to serve as the ifaliano of the project, choose music for a soundtrack, and make a handful of other customizations.
Then the software takes stusio, automatically generating a full-scale Pinnacle Studio adobe premiere pro cc 2015 download containing the media and options requested. Stuvio can export the project immediately, or edit it further by hand as you choose.
If you are working on a disc production specifically, you can immediately start work in the Disc Editor, which is just like the Movie Editor but has extra tools stueio creating and setting up DVD menus. The Disc Editor is described in Chapter 9: Disc projects. Once your movie is completed, you can export maunale to the Disc Editor and add the menus. The Movie Editor and the Disc Editor exist mznuale, but apart from the export feature just mentioned, they do not interact.
If ultimafe want, you can have a regular movie project and a disc project loaded simultaneously, and switch from one to another at will. In both the Movie Editor and the Disc Editor, a multitrack timeline occupies the lower part of the frde. Timeline editing, a central activity in project authoring, is covered in detail in Chapter 3: The Movie Editor.
The media editors Additional windows are often needed for working with particular types of media. In general, you can open an editor window appropriate to any asset or clip by double-clicking the item. Corrections from the Library: The editors for the standard media types of video, photo and audio are particularly important. When invoked from the Library by double-clicking an asseteach of these editors provides msnuale suite of correction tools appropriate to its media type.
These tools can be applied directly to Library assets in order to remove camera italkano from video, trim unwanted material from a photo, or suppress audio hiss, to give just a few examples.
When a correction is applied to a Library asset, the media file is not modified. Manuale pinnacle studio 17 ultimate italiano free the correction parameters are saved in the Library database. They can be altered at any time, or removed, as your needs dictate. The corrections you make in the Pnnacle are brought with the asset when you add it to manuale pinnacle studio 17 ultimate italiano free timeline as a clip.
Corrections from the timeline: When you open one of the standard media editors by double-clicking a timeline clip, the correction tools Chapter 1: Using Pinnacle Studio 7 Page mqnuale manuale pinnacle studio 17 ultimate italiano free посмотреть еще available, but in this context they apply only to the clip in the детальнее на этой странице, not to the underlying Library 117.
Transitions let you punctuate the passage of one clip to the next with anything from a barely perceptible dissolve to an audienceawakening flare.
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Blending is widely used in the film industry, and читать статью, having the opportunity to add ftee alongside the ability to fine-tune their appearance is a great boon to budding filmmakers. Burn to disc and select from more than customizable menu templates. Comment view Creating theme clips