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Apple Logic Pro X review | MusicRadar – You are here
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Logic Pro X Review: Is It Worth It? (Cons & Pros)
Logic Pro is a complete professional recording studio on the Mac. And it has everything musicians need to go from first note to final master. For a number of years now Apple’s Logic Pro X music production software has been one of the quiet jewels in the company’s crown.
Apple Logic Pro X review | MusicRadar.Apple Logic Pro X review | MusicRadar
Logic Pro is a complete professional recording studio on the Mac. And it has everything musicians need to go from first note to final master. For a number of years now Apple’s Logic Pro X music production software has been one of the quiet jewels in the company’s crown.
Logic Pro Review | Macworld – The new look
For those that enjoy working with loop-based composition, though, Live Loops makes for a rewarding experience, allowing you to explore creative loop combinations and unusual triggering points on the fly. Comfortably the most game-changing element of Live Loops, however, is that it can be used as a performance-based system that allows songs to be restructured and remixed live on stage.
Additional controls also feature a gate, bit reduction, reverse, virtual scratching, and a stop control, making it possible to perform a range of impulsive DJ-like sonic deconstructions. In many ways, Live Loops and Remix FX spring to life when used in conjunction with a touchscreen interface, as opposed to being hampered by the point-and-click limitations of a mouse.
The Pattern Loops are an important part of the Live Loops functionality, and work in conjunction with the new step-sequencing feature, used to trigger a variety of virtual instruments such as the new Quick Sampler or the improved Drum Machine Designer. Early versions lacked any form of drum grid, and even the Step Editor, which was part of Logic Pro X pre The Step Sequencer gets increasingly interesting as you delve deeper into its uses and applications.
Each sequencer track lane has its own clock vision, direction setting, and the ability to set note re-triggering on a step-by-step basis.
For longtime Logic Pro X users, the most welcome addition has to be the long-awaited update to the EXS24 , now simply called Sampler and sporting a slimmed-down sibling called Quick Sampler. The new Sampler instrument not only looks different, using it feels like a more coherent experience, with those previously disparate elements brought together as one. As with many aspects of the Now, dragging an audio file into the Track header area gives you the option to create a new Quick Sampler instance in addition to options for Alchemy and Sampler , with transient marker points mapped across different keys.
There’s so much going on that it can be nearly impossible to effectively control everything via a mouse and keyboard, unless you’re sticking to very simple track-by-track recording. One common solution has been physical control surfaces, which could be anything from a USB-connected keyboard the musical kind, not the QWERTY kind to a full-on mixing desk with physical faders, knobs, and inputs. These can cost anywhere from a few hundred to a few thousand dollars, and as many third-party companies make these devices, the functionality and reliability can vary widely.
One of the best features of Logic Pro, first added with last year’s The big advantage here is that Apple makes both the OS X software and the iOS app, so they’re built from the ground up to work well together. The most obviously useful way to control Logic Pro X from the iPad is to use the tablet’s surface as a mixing board. This mode literally puts a bank of faders in front of you up to eight at a time and you can jump between different banks at will.
Manipulating the mixing board faders via iPad instead of mouse and keyboard has one big advantage: thanks to multitouch on the iPad, you can grab several faders at once and manipulate them in real time. On a laptop or desktop, you’d have to link several tracks together or else record fader automation one track at a time. Many of the built-in plugins and virtual instruments that come included with Logic Pro also have custom control screens on the iPad.
Keyboard-based instruments give you an actual physical keyboard you can play, plus the various knobs and other controls as the real-life version of these virtual keyboards would offer. Obviously, with no tactile feedback, it’s very difficult to play accurately or expressively on an iPad screen.
With only an octave or two represented on the screen at once depending on how you set it up , you can really only play with one hand at a time. You can, however, use the iPad screen to quickly and easily input note information, strum a virtual guitar neck, or even set up basic chords you can strum or arpeggiate with minimal fuss.
Logic Pro shares some DNA with Apple’s consumer-level music app GarageBand, and knowing how to use one can at least help getting started in the other. That said, Logic Pro is not the sort of program a beginner is going to be able to pick up and master overnight.
Also keep in mind that many professional recording studios primarily run Pro Tools these days, which could make transferring sessions between home and studio a hassle. Logic Pro X Dan Ackerman. Jason Parker. I cranked it up again and it just clicked with me. It does everything you need it to do to make music, period. It has never crashed on me and I never have glitches with it. I haven’t been able to crash it yet but I’m still working on it.
For the price Logic is a steal. The quality and sheer number of stock devices that it comes with is amazing. It supports AU although developers are still catching up with the M1 so be careful some of your plug ins might not run.
It also runs great on an M1 Mac Mini but some hard ware and plug ins aren’t supported yet in Big Sur. Plus if you run an ios device you get Logic Remote and that speeds up your work flow. Got an iPad? Use idam and record audio and midi over usb. What else do you want?